diumenge, 10 de setembre de 2017

JOMMELLI, Niccolò (1714-1774) - Te Deum & Mass in D Major

Francesco Capella called Daggiu - The Madonna and Child
Obra de Francesco Capella (1711-1784), pintor italià (1)


- Recordatori de Niccolò Jommelli -
En el dia de la celebració del seu 303è aniversari de naixement



Parlem de Pintura...

Francesco Capella (Venezia, 5 de juliol de 1711 - Bergamo, 1784) va ser un pintor italià. Es creu va rebre formació de Giovanni Battista Piazzetta, autor de qui va rebre la seva principal influència al llarg de la seva obra. A partir del 1744 va constar com a pintor a Venècia i poc després, el 1747, va realitzar la seva primera obra per a l'església de S. Andrea de Cortona. A partir d'aleshores es va especialitzar en pintura religiosa, per a diverses esglésies de Bèrgam i el seu entorn, i en pintura de temàtica històrica. El seu estil, si bé inicialment proper al del seu mestre, va anar evolucionant fins a mostrar certes similituds amb el del pintor Tiepolo. Francesco Capella va morir a Bèrgam el 1784.



Parlem de Música...

Niccolò Jommelli (Aversa, 10 de setembre de 1714 - Napoli, 25 d'agost de 1774) va ser un compositor italià, un dels que va tenir més renom dels molts compositors d'òpera de la seva època. Va estudiar amb el canonge Muzzillo de la Catedral de San Paolo de la seva ciutat natal Aversa, a Nàpols, amb Leonardo Leo i Francesco Feo, al Conservatori de S. Onofrio i al Conservatori de la Pietà dei Turchini. A partir del 1736 va ser mestre de capella del marquès d'Avalos, que es va convertir en el seu protector des de l'estrena, al Teatre Nuovo de Nàpols, de la seva òpera bufa l'Errore amoroso (1737), a la qual va seguir Odoardo (1738). L'èxit aconseguit amb aquestes obres va fer que escrivís per a diversos escenaris italians, com els de Roma i Bolonya. A partir del 1741, va ser membre de l'Acadèmia Filharmònica de Venècia, on l'alemany Johann Adolph Hasse el va nomenar director del Conservatori degli Incurabili (1743-1747). Entre els anys 1748 i 1750 va estar a Viena, on va col·laborar amb Metastasio i a Roma va ser nomenat mestre de capella adjunt de Sant Pere. A partir del 1753, va ser mestre de capella del duc de Wurtemberg a la cort de Stuttgart. Durant aquesta època va equilibrar la tradició italiana de l'òpera seriosa amb la tècnica instrumental alemanya i el teatre francès. Durant els seus anys d'activitat a Stuttgart va elevar la qualitat teatral de la ciutat, arribant a ser reconeguda a tot Europa. Durant aquesta època va compondre, entre altres obres, Fetonte (1753), Cantone in Utica (1754) i les noves versions de Enzio (1758) i de Didone abbandonatta (1763). El 1769 va abandonar la ciutat alemanya i va tornar a Aversa, on va compondre música de cambra i música religiosa, entre la que va destacar un Miserere. Va morir a Nàpols l'agost del 1774.

OBRA:

Vocal secular:

Operas:
L’errore amoroso (ob, 3, A. Palomba), Naples, Nuovo, spr. 1737, lib I-Nc, 3 arias Nc and PLcon
Odoardo (ob, 3), Naples, Fiorentini, wint. 1738, lib B-Bc and I-Nc, 2 arias B-Bc, F-Pn and GB-Lbl
Ricimero re di Goti (os, 3, A. Zeno and P. Pariati), Rome, Argentina, 16 Jan 1740, I-Nc (inc.), 2 arias D-MÜs, Rtt and GB-Cfm
Astianatte (Andromaca) (os, 3, A. Salvi), Rome, Argentina, 4 Feb 1741, B-Bc (Act 3), D-Sl*, GB-Lbl, I-Nc (without recits), US-Cn, R
Ezio [1st version] (os, 3, P. Metastasio), Bologna, Malvezzi, 29 April 1741, D-Sl*, GB-Lbl, I-Nc
Merope (os, 3, Zeno), Venice, S Giovanni Grisostomo, 26 Dec 1741, D-Dlb, Mbs, GB-Lbl; with addns, ?Bologna, 1745, D-Sl*, F-Pn (addns probably not by Jommelli)
Tito Manlio [1st version] (os, 3, G. Roccaforte), Turin, Regio, carn. 1742, D-Sl*, GB-Lbl
Semiramide riconosciuta [1st version] (os, 3, Metastasio), Turin, Regio, 20 Jan 1742, D-Sl*, GB-Lbl, I-Nc
Eumene [1st version] (os, 3, Zeno), Bologna, Malvezzi, 5 May 1742, D-Sl* (Acts 1 and 2), GB-Lbl
Semiramide (os, 3, F. Silvani), Venice, S Giovanni Grisostomo, 26 Dec 1742, D-Sl*
Don Chichibio (int, 2), Rome, Valle, 1742, A-KR*, GB-Lbl
Ciro riconosciuto [1st version] (os, 3, Metastasio), Ferrara, Bonacossi, 20 Jan 1743, I-Bc; rev. Bologna, Formagliari, 4 May 1744, D-Sl* (Acts 2 and 3), GB-Lbl, I-Fc (Act 3)
Demofoonte [1st version] (os, 3, Metastasio), Padua, Obizzi, 13 June 1743, D-Sl* (Acts 1 and 2), F-Pn 778
Allessandro nell’Indie [1st version] (os, 3, Metastasio), Ferrara, Bonacossi, 26 Dec 1743, lib I-Bc, 2 arias D-Dlb, MÜs, F-Pn, GB-Lbl (attrib. Galuppi), I-Fc and PLcon
Antigono (os, 3, Metastasio), Crema, Grande, Sept 1744, D-Sl* (inc.), 2 arias F-Pn; rev. Lucca, 1746, aria I-Nc and TLp
Sofonisba (os, 3, A. Zanetti and G. Zanetti), Venice, S Giovanni Grisostomo, 26 Dec 1745, Rp
Caio Mario (os, 3, Roccaforte), Rome, Argentina, 12 Feb 1746, A-Wgm, D-MÜs (Acts 1 and 2), F-Pn, GB-Lbl, I-Mc, Nc, Rsc; rev. Bologna, 1751, P-La
Tito Manlio [2nd version] (os, 3, J. Sanvitale, after M. Noris), Venice, S Giovanni Grisostomo, aut. 1746 lib I-Bc and US-Wc, 6 arias A-Wn, D-Bsb, BAR, Dlb, Mbs, Rtt, F-Pn, GB-Lbl, I-Mc, MC, MOe, Nc, PAc, PLcon and Vc
Didone abbandonata [1st version] (os, 3, Metastasio), Rome, Argentina, 28 Jan 1747, Mc, Nc
Eumene [2nd version] (os, 3, Zeno), Naples, S Carlo, 30 May 1747; as Artemisia, F-Pn*; with revisions, I-Nc, Rsc
L’amore in maschera (ob, 3, Palomba), Naples, Fiorentini, carn. 1748, lib Nc and US-Wc
Ezio [2nd version] (os, 3, Metastasio), Naples, S Carlo, 4 Nov 1748, I-Mc*, Nc (without recits)
La cantata e disfida di Don Trastullo (int, 2), Rome, Pace, carn. 1749, D-Mbs, F-Pn, GB-Lbl, Lcm, Lgc, I-BRc, Gl, MOe, Nc, Nlp, Rsc; rev. Lucca, Pubblico, carn. 1762, PAc
Artaserse [1st version] (os, 3, Metastasio), Rome, Argentina, 6 Feb 1749, D-Sl*, Hs, F-Pn, GB-Lbl, I-Nc (without recits); rev. Mannheim, 1751, D-Bsb, Bsp
Demetrio (os, 3, Metastasio), Parma, Ducale, May 1749, I-Nc* (inc.), 2 arias B-Bc, D-Mbs, I-Nc and Vc; rev. Madrid, Buen Retiro, 1751, 8 arias D-Bsb, MÜs, E-Zac, F-Pn, I-Gl and Nc
Achille in Sciro [1st version] (os, 3, Metastasio), Vienna, Burg, 30 Aug 1749, A-Wn
Ciro riconosciuto [2nd version] (os, 3, Metastasio), Venice, S Giovanni Grisostomo, Nov 1749
Didone abbandonata [2nd version] (os, 3, Metastasio), Vienna, Burg, 8 Dec 1749, Wn 18282, F-Pn, GB-Cfm
L’uccellatrice (int, 2), Venice, S Samuele, 6 May 1750, I-Gl; rev. as Il parataio [La pipée] (int, 2, C.F. Clément), Paris, Opéra, 25 Sept 1753, B-Bc, F-Po, H-Bn, I-Mc (all without recits)
La villana nobile (ob, 3), Palermo, de’ Valguarneri di S Lucia, carn. 1751, lib US-BE
Ifigenia in Aulide (os, 3, M. Verazi), Rome, Argentina, 9 Feb 1751, B-Bc* (Act 3), F-Pn, GB-Lbl, I-Mc, Nc, P-La; pasticcio, Naples, S Carlo, 18 Dec 1753, with arias by Traetta, GB-Lbl (Act 2), I-MC
Ipermestra (os, 3, Metastasio), Spoleto, Nobile, 9 Oct 1751, GB-Lcm*, I-Nc, US-Bp (Act 1)
Talestri (os, 3, Roccaforte), Rome, Dame, 28 Dec 1751, I-Mc*, Nc, P-La
I rivali delusi (int, 2), Rome, Valle, carn. 1752, D-Bsb
Attilio Regolo (os, 3, Metastasio), Rome, Dame, 8 Jan 1753, B-Bc, GB-Cfm, Lbl, I-BGc, Nc, P-La, US-Bp (Act 1); pasticcio, London, 1753, GB-Lbl; pasticcio, Naples, S Carlo, 23 March 1761, P-La
Demofoonte [2nd version] (os, 3, Metastasio), Milan, Regio Ducal, 27 Jan 1753, I-Nc*, Nc
Semiramide riconosciuta [2nd version] (os, 3, Metastasio), Piacenza, Ducale, April 1753, Nc* (inc.), P-La
La clemenza di Tito [1st version] (os, 3, Metastasio), Stuttgart, Herzogliches, 30 Aug 1753, lib US-Wc, 3 arias D-Dlb, F-Pn, I-Bc, BGc and Nc
Bajazette (os, 3, A. Piovene), Turin, Regio, 26 Dec 1753, Nc
Don Falcone (int, 2), Bologna, Marsigli-Rossi, 22 Jan 1754, Gl
Lucio Vero (os, 3, after Zeno), Milan, Regio Ducal, Jan 1754, Nc*
Catone in Utica (os, 3, Metastasio), Stuttgart, Herzogliches, 30 Aug 1754, lib US-Wc, 4 arias B-Bc, F-Pn, I-Bc, Mc, MC, Nc and Rc
Pelope (os, 3, Verazi), Stuttgart, Herzogliches, 11 Feb 1755, Nc; rev. J.C. da Silva, Salvaterra, Real, carn. 1767, P-La
Enea nel Lazio [1st version] (os, 3, Verazi), Stuttgart, Herzogliches, 30 Aug 1755, F-Pn; rev. Silva, Salvaterra, Real, carn. 1767, P-La
Artaserse [2nd version] (os, 3, Metastasio), Stuttgart, Herzogliches, 30 Aug 1756, D-Sl, P-La
Creso (os, 3, G. Pizzi), Rome, Argentina, 5 Feb 1757, B-Bc (Act 2), GB-Cfm, Lbl, I-BGc, MAc, Mc, Nc*, Nn, P-La, S-Skma, US-Wc
Temistocle [1st version] (os, 3, Metastasio), Naples, S Carlo, 18 Dec 1757, B-Bc (Act 1), Br, D-Hs, SWl, F-Pn*, GB-Lbl, Lcm, I-MC (without recits), Nc, Nn, Tf, S-Skma
Tito Manlio [3rd version] (os, 3), Stuttgart, Herzogliches, 6 Jan 1758 (see Sittard 1890–91)
Ezio [3rd version] (os, 3, Metastasio), Stuttgart, Herzogliches, 11 Feb 1758, lib US-Wc, arias I-Nc and D-Dlb
Nitteti (os, 3, Metastasio), Stuttgart, Herzogliches, 11 Feb 1759, 3 arias I-MC and Nc; rev. Silva, Lisbon, Ajuda, 2 June 1770, P-La
Endimione, ovvero Il trionfo d’Amore (pastorale, 2, after Metastasio), Stuttgart, Herzogliches, spr. 1759; rev. Queluz, Real, 29 June 1780, La
Alessandro nell’Indie [2nd version] (os, 3, Metastasio), Stuttgart, Herzogliches, 11 Feb 1760, 5 arias I-MC and Nc; rev. Silva, Lisbon, Ajuda, 6 June 1776, P-La
Caio Fabrizio (os, 3, Verazi), Mannheim, Hof, 4 Nov 1760, with arias by G. Colla, I-Mc (without recits), US-R, Wc
L’olimpiade (os, 3, Metastasio), Stuttgart, Herzogliches, 11 Feb 1761, D-WRtl, I-Mc, Nc (without recits), A-Wn (reduced, without recits), Recueuil des opéra composés par Nicolas Iomelli (Stuttgart, 1783) (without recits); rev. Silva, Lisbon, Ajuda, 31 March 1774, P-La
L’isola disabitata (pastorale, 2, Metastasio), Ludwigsburg, Schloss, 4 Nov 1761; rev. Queluz, Real, 31 March 1780, La
Semiramide riconosciuta [3rd version] (os, 3, Metastasio), Stuttgart, Herzogliches, 11 Feb 1762, F-Pn
Didone abbandonata [3rd version] (os, 3, Metastasio), Stuttgart, Herzogliches, 11 Feb 1763, A-Wn* 16488, D-Bsb; rev. Stuttgart, 1777–83, Sl
Il trionfo d’Amore (pastorale, G. Tagliazucchi), Ludwigsburg, Schloss, 16 Feb 1763 (Sittard 1890–91), lib US-Wc, aria D-Bsb
La pastorella illustre (pastorale, 2, Tagliazucchi), Stuttgart, Herzogliches, 4 Nov 1763; rev. Silva, Salvaterra, Real, carn. 1773, P-La
Demofoonte [3rd version] (os, 3, Metastasio), Stuttgart, Herzogliches, 11 Feb 1764, B-Bc, D-Sl*; rev. Ludwigsburg, Schloss, 11 Feb 1765; rev. Silva, Lisbon, Ajuda, 6 June 1775, P-La
Il re pastore (os, 3, Metastasio), Ludwigsburg, Schloss, 4 Nov 1764; rev. Silva, Salvaterra, Real, carn. 1770, La
La clemenza di Tito [2nd version] (os, 3, Metastasio), Ludwigsburg, Schloss, 6 Jan 1765; rev. Silva, Lisbon, Ajuda, 6 June 1771, La
Imeneo in Atene (pastorale, 2, after S. Stampiglia), Ludwigsburg, Schloss, 4 Nov 1765; rev. Silva, Lisbon, Ajuda, 19 March 1773, La (attrib. Porpora)
Temistocle [2nd version] (os, 3, Metastasio), Ludwigsburg, Schloss, 4 Nov 1765
Eneo nel Lazio [2nd version] (os, 3, Verazi), Ludwigsburg, Schloss, 6 Jan 1766, F-Pn, I-Nc
Vologeso (os, 3, Verazi, after Zeno: Lucio Vero), Ludwigsburg, Schloss, 11 Feb 1766, A-Wgm, B-Bc, D-Bsb, Sl, F-Pn; rev. Silva, Salvaterra, Real, carn. 1769, P-La
Il matrimonio per concorso (ob, 3, G. Martinelli), Ludwigsburg, Schloss, 4 Nov 1766; rev. Silva, Salvaterra, Real, carn. 1770, La
La critica (ob, 1, Martinelli), Ludwigsburg, Schloss, 1766, I-Nc; rev. as Il giuoco di Picchetto (int), Koblenz, Hof, spr. 1772, F-Pn; rev. as La conversazione and L’accademia di musica (int, 2), Salvaterra, Real, carn. 1775, P-La (La conversazione)
Il cacciatore deluso [ovvero] La Semiramide in bernesco (dramma serio-comico, 3, Martinelli), Tübingen, 4 Nov 1767, I-Nc* (inc.); rev. Silva, Salvaterra, Real, carn. 1771, P-La
Fetonte (os, 3, Verazi), Ludwigsburg, Schloss, 11 Feb 1768, A-Wgm, B-Bc, D-Bsb, Sl, F-Pn; ed. in DDT, xxxii–xxxiii (1907, 2/1958)
La schiava liberata (dramma serio-comico, 3, Martinelli), Ludwigsburg, Schloss, 18 Dec 1768, DK-Kk (Acts 2 and 3), F-Pn, I-Mc (Act 1), Nc; rev. Silva, Lisbon, Ajuda, 31 March 1770, P-La
Armida abbandonata (os, F.S. de Rogatis, after T. Tasso: Gerusalemme liberata), Naples, S Carlo, 30 May 1770, B-Bc, D-Bsb, Dlb, Hs, Mbs, MÜs, F-Pn, GB-Ob, I-Fc, Mc, Nc, Nn, Rsc, P-La; rev. Silva, Lisbon, Ajuda, 31 March 1773, La
Demofoonte [4th version] (os, 3, Metastasio), Naples, S Carlo, 4 Nov 1770, D-Bsb, F-Pn D6231–3, I-Mc, Nc, Nn, P-La
L’amante cacciatore (int, 2, A. Gatta), Rome, Pallacorda, carn. 1771, lib I-Bc and Vgc
Achille in Sciro [2nd version] (os, 3, Metastasio), Rome, Dame, 26 Jan 1771, D-Bsb, F-Pn, I-Mc (Acts 1 and 2), Nc
Le avventure di Cleomede, April 1771 (dramma serio-comico, 3, Martinelli); rev. Silva, Lisbon, Ajuda, 6 June 1772, P-La
Ifigenia in Tauride (os, 3, Verazi), Naples, S Carlo, 30 May 1771, A-Sm, D-Bsb, Mbs, DK-Kk, I-Fc, Mc, Nc; rev. Silva, Salvaterra, Real, carn. 1776, P-La
Ezio [4th version], July 1771 (os, 3, Metastasio), A-Wn SM9952, F-Pn, I-Nc; rev. Silva, Lisbon, Ajuda, 20 April 1772, P-La
Cerere placata (serenata, 2, Sarcone), Naples, Perrelli, 14 Sept 1772, B-Bc, D-Sl, F-Pn, I-Mc, Nc, P-La
Il trionfo di Clelia, early 1774 (os, 3, Metastasio), F-Pn, I-Nc; rev. Silva, Lisbon, Ajuda, 6 June 1774, P-La
La pellegrina (ob), sent to Lisbon, according to letter from Silva (see McClymonds, 1980)

Music in pasticcios:
La contessina, 1743, B-Bc;
Catone in Utica, 1747;
Merope, 1749, A-Wn;
Andromeda, 1750, Wn;
Euridice, 1750, Wn;
Armida placata, 1750, Wn;
César in Egipte (os, 3, after G. Bussani), Strasbourg, carn. 1751, lib US-Wc;
Fetonte (os, 3, L. Villati), Stuttgart, Herzogliches, 1753, lib D-Sl;
Il tre vecchi innamorati, 1768;
? Arcadia in Brenta, A-Wgm

Serenatas and other theatrical pieces:
Perchè da l’alta reggia (componimento drammatico) [characters: Giove, Pallade, Marte, Amore] (2, F. Scarselli), Rome, 9 Feb 1747, lost, lib B-Bc
Siam nel Parnaso, o amica (componimento drammatico) [Virtù, Apollo, Felicità, Tempo] (2, G. Pizzi), Ronciglione, 28 Feb 1751, lost, lib GB-Lbl, I-Rsc
La reggia de’ Fati (2, G. Pascali), Milan, Regio Ducal, 13 March 1753, with G.B. Sammartini, F-Pn [as La serenata, Acts 1–2]
La pastorale offerta (1, Pascali), Milan, Regio Ducal, 19 March 1753, with G.B. Sammartini, Pn [as La serenata, Act 3]
Il giardino incanto (1), Stuttgart, 1755, lost; cited in Sittard 74
L’asilo d’amore (1, Metastasio), Stuttgart, Ducal, 11 Feb 1758, lost, lib D-Sl
Le cinesi (1, Metastasio), Ludwigsburg, 1765, lost (see M.P. McClymonds: Niccolò Jommelli: the Last Years, 1980)
L’unione coronata (1, Martinelli), Solitude, improvised theatre, 22 Sept 1768, lost, lib Sl
Cerere placata (2, M. Sarcone), Naples, Perrelli palace, 14 Sept 1772, A-Sm, B-Bc, D-Sl, F-Pn, I-Mc, Nc, P-La
Misera, dove mai [Venere, Imeneo, Il Tempo] (2), for the wedding of the Duke of Casamassimo and the Duchess of S Donata, I-Nc
La partenza (2), pt 1 G.B. Zonca, pt 2 Jommelli, D-Dlb*
Arcadia conservata [Numante, Ladone, Clelia, Sabella, Carmenta] c1765 or later, F-Pn, 1 aria attrib. Holzbauer; not the same as Arcadia in Brenta (Mondolfi), or Arcadia conservata perf. at Schwetzingen (Schatz)

Cantatas and other secular vocal:
Armida (E.V. de Romanis), 2vv, Rome, 1746, lost, D-Dl, MÜ, I-Nc, US-AAu
Cants., S, str, bc:
E quando sarà mai, D-Dlb, MÜs, I-MAC, Nc;
Gia la notte (Metastasio: La pesca), F-Pn, I-Mc*, Nc;
Giusti numi (Didone abbandonata), D-MÜs, I-Nc;
No, non turbarti, o Nice (Metastasio: La tempesta), D-Bsb, F-Pn, I-Nc, Tn (inc.);
Partir conviene, D-Bsb, MÜs, GB-Lbl Add.31692, I-Nc;
Perdona, amata Nice (Metastasio: La gelosia), D-MÜs, I-Mc, Nc
Le frondi l’erbe (Autunno), S, S, S, 2 hn, 2 ob, bc, GB-Lcm;
Lucinda e Fileno, G, S, S, str, bc, F-Pn;
Oh come oltre l’osato (Venere ed Amore), S, A, orch, bc, D-MÜs;
Scendi propizio (Metastasio: Epitalamio II), S, S, bc, MÜs
Solfeggi, S, T, bc, MÜs

Vocal religiosa:

Oratorios and sacred cantatas:
Isacco figura del Redentore (Il sacrificio di Abramo; Abramo ed Isacco) (2, P. Metastasio), S, S, A, T, B, 4vv, orch, bc, ?Venice, 1742, A-KR, Wn, B-Br, CH-Bu, D-Bsb, Dl, Hs, Mbs, MÜs, SWl, F-Pn, GB-Lbl, Lcm, Ob, I-Bc, Fc, Nc, Nf, PS, Ras, Tf, Vnm, Vsmc, S-Skma
La Betulia liberata (La Giuditta) (2, Metastasio), S, A, T, B, 4vv, orch, bc, ?Venice, 1743, B-Bc, D-MÜs, Sl*, GB-Lbl (facs. in IO, xviii, 1986), Lcm, I-Mc, Nc, OS, PS, Tf, Vsmc
Joas (Gioas; Il Gioas re di Giuda) (2, Metastasio, Lat. trans. G.B. Visino), S, S, S, A, A, A, 4vv, insts, Venice, Incurabili, 1745, lib Vcg; in Ac for mixed voices; ?spurious
Juda proditor (1, J. de Bellis), S, S, S, A, A, A, 4vv, insts, Venice, Incurabili, c1745/6, lost, lib Vmc
La passione di Gesù Cristo (2, Metastasio), S, A, T, B, 4vv, orch, bc, Rome, 1749, A-Wgm, Wn, B-Br, Lc, D-Bsb, Dl, Hs, HR (in Au), Mbs, MÜs, Rp, Rtt, SWl, F-Pn, GB-Cfm, Er, Lbl, Lcm, Lgc, Y, I-Bc, BGc, Fc, FAN, Mc, Nc, OS, PESc, PS, Rf, Vnm, Vsmc, US-Cn, NYp, Wc (London, 1770/R1986 in IO, xviii)
Giuseppe glorificato in Egitto (Giuseppe riconosciuto) (2), S, S, T, orch, bc, Rome, Collegio Nazareno, 1749, I-Nc, PS
Le spose di Elcana (1, C.E. Santa Colomba), 4vv, insts, Palermo, Chiesa del monastero del S Salvadore, 1750, lost, lib US-BEm
La natività della Beatissima Vergine (Ove son? Chi mi guida?) (2, G. Luca), S, A, T, orch, bc, Rome, Collegio Nazareno, 1750, D-MÜs, SWl, GB-Ob, I-Bc, Nc, Nf, PS
La gloriosa ascensione al cielo di Nostro Signor Gesù Cristo (In queste incolte rive) (2, F. Perazzotti), S, A, orch, bc, Rome, Collegio Capranica, 20 May 1751, D-MÜs, I-Nc* (sinfonia)
La natività della Beatissima Vergine (Che impetuoso è questo torrente) (2), S, S, T, orch, bc, Rome, Collegio Nazareno, 1751, Nc, Nf
La natività della Beata Vergine (Non più: l’atteso istante) (2, G.L. Bendini), S, A, T, orch, bc, Rome, Collegio Nazareno, 1752, GB-Lcm, I-Nc, PS
Il sacrificio di Gefte (1), 4vv, insts, Palermo, Chiesa del monastero di S Maria di Monte Vergine, 1753, lost, lib US-BEm
La reconciliazione della Virtù e della Gloria (1, C. Taviani), 2vv, insts, Pistoia, Palazzo del magistrato supremo, 1754, lost, lib I-Vgc
Gerusalemme convertita (2, A. Zeno), 4vv, chorus, insts, Palermo, Congregazione di S Filippo Neri, 1755, lost, lib PLcom (pt 2 only)
Il sogno di Nabucco (1), 4vv, chorus, insts, Palermo, Congregazione di S Filippo Neri, 1755, lost, lib PLcom
Spurious:
S Elena al Calvario, cited in Alfieri

Masses:
Ky, Gl (F), S, S, S, A, A, 4vv, str, bc, Venice, Incurabili, 1745, B-Lc, D-Dl, Hs, Mbs (inc.), MÜs, Rp, F-Pn, GB-Lbl, I-Mc, Nc
Cr (D), S, S, A, A, 4vv, str, bc, Venice, Incurabili, c1745, B-Lc, D-Dl, Rp, I-Nc (inc.)
Missa pro defunctis (E ), S, A, T, B, 4vv, str, bc, Stuttgart, Feb 1756, for Duchess of Württemberg, A-GÖ, KR, LA, Ssp, Wgm, Wn, B-Br, CH-Zz, D-BAR, BNms, Bsb, Dl, W. Hochstein’s private collection, Geesthacht, GBR, Hs, HL (in Mbs), HR (in Au), LEb, LEm, LEmi, LÜh, OB, Rp, SWl, TZ, WEY, WRgs, F-Pc, Pn, GB-Er, Lbl, Lcm, Ob, I-BGc, CORc, FAd, Fc, Gl, Mc, MOe, MZ, Nc, Ria, Rsc, P-EVc, Lf, US-Bp, NYp, PRu, Wc (Paris, n.d.), ed. H. Müller (Adliswil, 1986)
Missa solemnis (D), S, A, T, B, 4vv, orch, bc, Stuttgart, 1766, for the new ducal chapel, A-KN, LA, Wgm, Wn, Ws, CH-E, D-BNms, Bsb, Hs, HR (in Au), LEm (Ky, Gl), Mbs, MÜs, Rp, Rtt, Sl, SWl, F-Pc, Pn, R (Cr), GB-Lbl, Ob, I-BGc, Fc, Mc, MOe, Nc, US-Bp (Ky, Gl, Cr), Wc (Paris, n.d.), ed. W. Hochstein (Lottstetten, 1987)
Missa (D), S, S, A, T, B, 4vv, orch, bc, Naples, 1769, perf. Lisbon, Festa de nossa Senhora do Cabo, spr. 1770 [Cr, San and Ag are variants from Missa solemnis, 1766], I-Nc* (sinfonia, Ky, Gl), P-La (without sinfonia), Cr (1766 Stuttgart version) in F-R, US-Bp
Doubtful:
Mass (C), CH-E 504/8, CZ-ZI, D-Mbs 283/3;
Mass (C), CH-E 504/9, D-Mbs 283/4;
Mass (c), CZ-RO (attrib. Brixi), D-EB;
Mass (D), A-Wn, CH-A, E 504/11, D-Bsb, Mbs, WEY, I-Fc;
Mass [without Cr] (D), CH-E 505/4;
Mass (d-D), CH-E 504/12;
Mass (d), A-KR, D-Dl (Cr) [by Righini, see RISM A/I/7, R1545];
Missa a cappella [without Gl] (F), A-Wgm;
Mass (G), lost;
Ky, Gl (c–D), D–MÜs 2202;
Ky, Gl (D), MÜs 2200 [partly identical to a mass by Cimarosa in MÜs 1106];
Ky, Gl, Cr (D), c1750, B-Lc (inc.);
Ky, Gl (D), I-Gl;
Ky, Gl (D), D-OB (attrib. Brixi), I-Fc;
Ky, Gl (d-F), D-Bsb;
Ky, Gl, Cr (F), Venice, Incurabili, Dl;
Ky, Gl, Cr (G), Venice, Incurabili, A-Wn (inc.), D-Dl;
Ky, Gl (B ), I-BGc;
Cr, San, Ag (C), S, A, Rvat;
Cr, San, Ag (D), B-Lc;
Requiem movts, I-Nc;
Gl (Ehre sei Gott in der Höhe) (C), D-As;
single mass movts: Ky, Gl (inc.), 2 Ag, Bsb 11210

Other sacred vocal:
Grads:
Benedicta et venerabilis ‘per la natività di Maria vergine’ (A), S, A, T, str, bc, Rome, 8 Sept 1752, B-Lc, D-Hs, GB-Lbl, I-Nc;
Diffusa est gratia ‘pro nec Vergine nec Martire’ (G), S, S, A, bc, Rome, 1751, F-Pn, I-Nc, ed. W. Hochstein (Lottstetten, 1986);
Discerne causam meam (D), S, A, 4vv, str, bc, Rome, c1751/3, D-Hs, F-Pn, GB-Lbl, I-Nc (Paris, n.d.);
Justus ut palma (A), S, S, A, 4vv, str, bc, Rome, 1751, B-Lc, D-Hs, F-Pn, GB-Lbl, I-Nc;
Locus iste ‘in anniversario dedicationis ecclesiae’ (C), S, S, A, T, B, bc, Rome, 18 Nov 1752, A-Wn, CH-E, D-Bsb, Hs, Mbs, MÜs, GB-Lbl, I-Ac, BGc, Mc, Nc, Rvat, P-Lf, Ln, ed. W. Hochstein (Lottstetten, 1986);
Propter veritatem ‘in Assumptione Beate Marie Virginis’ (A), S, A, str, bc, Rome, 15 Aug 1752, F-Pn (inc.)

Grads with seqs:
Alleluia, Emitte spiritum, and Veni Sancte Spiritus ‘festa della Pentecoste’ (D), S, A, T, B, 4vv, bc, Rome, 1752, A-Ssp, Wn, B-Bc, CH-E, D-Bsb, Dl, Hs, LEb, LEm, Mbs, Mk, MÜs, OB, Rp, WRgs, E-MO, F-Pn, GB-Lbl, Lcm, Ob, I-Ac, Bc, BDG, Fc, FEd, Mc, Md, Nc, Nf, OS, PAc, PS, Rc, Rf, Rmassimo, Rsc, Rsg, Rvat, Vnm, NL-At, P-Lf, Ln, VV, US-Bp, CA, PRu, Wc;
Oculi omnium, and Lauda Sion (‘festa del Corpus Domini’) (G), S, A, T, B, 4vv, bc, Rome, 1751, A-Wn, CH-E, D-Bsb, Hs, Mbs, MÜs, F-Pn, GB-Lbl, I-Fc, Nc, Rvat, P-Lf, Ln, US-Bp

Seq:
Victimae paschali (F), S, S, A, A, T, B, 4vv, bc, Naples, 1770, written for the court of Lisbon, A-KR, Ssp, Wgm, Wn, B-Bc, D-Bsb, BD, Hs, LEmi, LÜh, Mk, MÜs, WRgs, F-Pn, GB-Lbl, Lcm, Ob, I-Ac, BGc, Fc, FEd, LT, Mc, Nc, Nf, PAc, Rsc, Rsg, Rsmt, Rvat, P-EVc, La, Lf, Ln, VV, US-Bp (Mainz, n.d.)

Offs:
Confirma hoc Deus (‘Pentecoste’) (F), S, S, A, T, B, 4vv, bc, Rome, 1752, A-KN, KR, Ssp, SF, Wgm, Wn, B-Bc, Lc, CH-E, CZ-LIa, Pnm, D-Bsb, BNms, Dl, GOa, Hs, LEm, Mbs, MÜs, OB, SWl, WEY, WRgs, E-MO, F-Pc, Pn, R, GB-Cfm, Er, Lbl, Ob, I-Ac, Bc, BGc, LT, MAC, Mc, Nc, Nf, OS, PAc, PS, Rf, Rvat, VId, P-EVc, La, Lf, Ln, VV, US-Wc (Paris, n.d.), arr. with orch in several sources;
Diffusa est gratia (C–e), S, A, T, T, B, bc, Rome, 1751, F-Pn, I-Nc, ed. W. Hochstein (Lottstetten, 1986);
Domine Deus in simplicitate (F), S, A, 4vv, bc, Rome, c1751/3, inc. in F-Pn, P-Lf;
Doubtful:
Haec dies quam fecit (D), 8vv, bc, I-LT;
Haec dies quam fecit (B ), S, B, bc, CH-E;
Terra tremuit (D), S, A, 4vv, bc, D-MÜs (attrib. Casali), I-PAc

Responses:
In monte oliveti (d), 4vv, bc, Rome, ?1751/3, B-Bc, D-Bsb, Hs, F-Pn, GB-Lbl, US-Wc;
Libera me [part of the Missa pro defunctis, 1756] (c), S, (S), A, T, B, 4vv,str, bc, separately in D-Bsb, BAR, HL (in Mbs), OB, Rtt, SWl, GB-Lcm, I-Fc, Mc, Nc, P-Lf;
Regnum mundi (D), S, A, 4vv, str, bc, Rome, 1752, D-Hs, GB-Lbl, I-Nc;
27 responses for Holy Week, 4vv, bc, Rome, c1751/3, D-Hs, GB-Lbl

Lamentations:
Incipit lamentatio Jeremiae Prophetae (c), S, orch, bc, Rome, c1751, A-Wn, D-Bsb, MÜs, F-Pn, GB-Lgc, I-BGc, Mc, Tn, US-Bp;
Vau–Et egressus est (F), S, A,orch, bc, Rome, c1751, A-Wn, F-Pn, GB-Lbl;
Jod–Manum suam misit (D), A, orch, bc, Rome, c1751, A-Wn, D-Bsb, Mbs, MÜs, E-ORI, F-Pn, GB-Lgc;
Doubtful:
Lamed–Matribus suis (G), S, A, orch, bc, D-Bsb (attrib. Perez in A-Wn, I-BGc);
Aleph–Ego vir videns (F), A, orch, bc, D-Bsb, MÜs, GB-Lbl, US-Bp (attrib. Perez in A-Wn, I-BGc);
Incipit oratio Jeremiae Prophetae (g), S, A, 4vv, orch, bc, D-MÜs (attrib. Durante), GB-Lbl

Canticles:
Domine ad adjuvandum me (D), S, (S, A, A, T, T), 4vv, str, bc, D-Bsb, MZsch;
Mag (A), S, (S), A, T, B, (B), 8vv, bc, Rome, c1750, A-Wn, D-Bsb, F-Pn, GB-Lbl, I-Rvat, US-Bp;
Sicut erat (F), 5vv, Bologna, 1741, I-Baf*;
TeD (D), S, S, A, B, 4vv, orch, bc, ?Venice, 1746, D-Hs, GB-Lbl, Lcm, I-BGc, Nc;
TeD (D), S, A, T, (B), 4vv, orch, bc, Stuttgart, 13 Feb 1763, A-LA, Wn, B-Br, CH-Zz, CZ-Pnm, ZI, D-As, BAR, Bsb, F, Hs, HR (in Au), LEm, LÜh, Mbs, MÜs, Rp, RUl, Sl, SWl, F-Pc, Pn, TLm, GB-Er, Lbl, Lcm, Ob, I-Bc, BGc, Fc, MOe, ed. H. Müller and W. Hochstein (Stuttgart, 1986);
TeD (D), S, S, A, T, B, 5vv, orch, bc, GB-Lcm, US-Wc*;
Doubtful:
Alleluia (C), 4vv, bc, I-Rvat;
Benedictus Dominus (G), 4vv, Rome, 1750, CH-E;
Domine ad adjuvandum me (C), 4vv, orch, bc, I-Vnm;
Gloria Patri (g–D), S, S, 4vv, orch, bc, F-Pn;
Mag (D), S, A, T, B, 4vv, orch, bc, CZ-Pnm (attrib. Zach), D-Bsb (attrib. Brixi);
Mag (D), 3vv, org (London, n.d.);
Mag (E ), S, A, T, B, 4vv, bc, P-EVc;
Mag (g), S, A, T, B, 4vv, orch, bc, D-Dl

Ants:
Bene fundata est (C), 4vv, bc, Rome, 18 Nov c1751/3, I-Rvat*;
Bene fundata est (B ), T, bc, Rome, 18 Nov 1752, Rvat*, ed. W. Hochstein (Lottstetten, 1986);
Christus factus est (d), 4vv, bc, Rome, c1751/3, D-Hs, GB-Lbl, I-Nc;
Domus mea (A), S, A, bc, Rome, 18 Nov 1750, D-Hs, GB-Lbl*, I-Nc, Rvat, ed. W. Hochstein (Lottstetten, 1986);
Haec est domus Domini (C), S, S, T, B, bc, Rome, 18 Nov 1750, D-Hs, GB-Lbl*, I-Nc, Rvat, ed. W. Hochstein (Lottstetten, 1986);
Hosanna filio David (d), 4vv, bc, Rome, ?1751/3, A-Wn, B-Bc, D-Bsb, Hs, Rtt, F-Pn, GB-Lbl, US-Bp;
Juravit Dominus (G), S, A, bc, Rome, 1751, I-Rvat*, ed. W. Hochstein (Lottstetten, 1986);
Memor sit Dominus (G), S, A, bc, Rome, 1752, Rvat (inc.);
Veni sponsa Christi (C), S, str, bc, Rome, 1752, Nc*, ed. W. Hochstein (Lottstetten, 1986);
Veni sponsa Christi (A), S, str, bc, Rome, 1751, D-Hs, F-Pn, GB-Lbl, I-Nc, ed. W. Hochstein (Lottstetten, 1986);
Doubtful:
Ave regina caelorum (A), S, S, str, bc, before 1756, PS;
Christus factus est (c), 3vv, bc, Nf;
Christus factus est (e), 4vv, bc, Ls, PAc;
Regina caeli (G), A, str, bc, B-Lc;
Regina caeli (B ), T, T, B, orch, A-Wgm;
Salve regina (F), S, str, bc, GB-Lgc;
Salve regina (G), S, orch, D-MÜs

Psalms:
Beati omnes (B ), S, S, A, 4vv, str, bc, Venice, Incurabili, c1745, I-Vnm;
Beatus vir (A), S, 4vv, str, bc, Rome, 1751, D-Hs, GB-Lbl, I-Nc;
Beatus vir (B ), S, A, T, B, 4vv, bc, Rome, 1750, A-Wn, D-Bsb, Hs, MÜs, F-Pn, GB-Lbl, Ob, I-Mc, Nc, Rvat, US-Wc;
Confitebor (D), S, A, T, 8vv, bc, Rome, 1750, D-Hs, GB-Lbl, I-Rvat;
Confitebor (F), S, S, A, A, 4vv, str, bc, Venice, Incurabili, c1745/6, B-Lc;
Confitebor (G), S, A, T, B, 4vv, str, bc, Rome, 1751, I-Mc (inc.), Nc;
Confitebor (A), S, S, A, A, 4vv, str, bc, Venice, Incurabili, c1745/6, B-Lc;
Credidi (A), S, A, 4vv, bc, Rome, 1751, D-Hs, GB-Lbl, I-Mc, Nc, P-Lf;
Dixit Dominus (F), S, A, T, B, 4vv, str, bc, B-Lc, I-Vnm;
Dixit Dominus (F), 8 solo vv, 8vv, str, bc, Rome, 1751, B-Lc, D-Hs, F-Pn, GB-Cfm, Lbl, Lcm, I-Mc, Nc, P-Lf, US-Bp;
Dixit Dominus (G), S, A, T, B, 4vv, str, bc, Rome, 1751, F-Pn, I-Mc, Nc;
Domine ne in furore (c), S, (S), A, 4vv, str, bc, Venice, ?Incurabili, 1745, GB-Ob, I-Mc
In convertendo (D), 6 solo vv, 8vv, bc, Rome, 1753, D-Bsb, MÜs, F-R, GB-Ob, I-Rvat*;
In convertando (G), S, S, 8vv, bc, Rome, 1751, D-Hs, F-Pn, GB-Lbl*, I-Nc;
Laetatus sum (F), S, A, 4vv, orch, bc, ?Venice, 1743, A-Wm, Wn, CH-E, D-MÜs;
Laudate pueri (C), S, S, S, S, 8vv, bc, Rome, 1752, D-Bsb, Hs, MÜs, F-Pn, GB-Lbl, I-BGc, Nc (attrib. Leo), Rvat, US-Bp;
Laudate pueri (B ), 6 solo vv, 8vv, str, bc, Venice, Incurabili, 1746, D-Hs, GB-Lbl, I-Nc;
Miserere (g), 4vv, Rome, 1749, examination piece for S Pietro, A-Wn, D-Bsb, MZsch, I-PAc, Rvat;
Miserere (d), S, S, A, T, 4vv, Rome, 1751, based on settings by Leo and Lotti, A-LA, CH-E, D-Bsb, Mbs, Mk, MÜs, F-Pn, R, GB-Lbl, I-Mc, Nc;
Miserere (e), 8vv, Rome, c1751/3, D-Hs, F-Pn, GB-Lbl, I-Mc, Nc;
Miserere (G), 4vv, bc, Rome, c1751/3, D-Hs, GB-Lbl, I-Nc;
Miserere (g), 4vv, Rome, ?1751/3, D-Bsb (attrib. Pergolesi), Hs, MÜs (attrib. Lotti), GB-Lbl, I-Mc (attrib. Cafaro), Nc;
Miserere (g), S, S, A, T, 4vv, bc, Stuttgart, A-LA, Wn, D-Bsb, Dl, Hs, LEm, Mbs, Mk, Rtt, F-Pn, R, GB-Lbl, Lcm, I-Fc, Mc, Nc, OS, Rvat, Vnm, P-Lf, US-Bp;
Doubtful:
Beatus vir (D), S, 4vv, orch, D-MÜs, F-TLm;
Beatus vir (F), S, B, 4–5vv, orch, B-Lc;
De profundis (c), S, A, T, B, 4vv, ob, str, bc, A-Wn;
Dixit Dominus (D), S, A, T, B, 4vv, orch, D-MÜs;
Dixit Dominus (g), 5 solo vv, 5vv, str, bc, D-LÜh;
Laudate pueri (G), S, S, A, A, 8vv, str, bc, Venice, ?Incurabili, A-Wn;
Miserere (c), 5vv, bc, I-Nc;
Miserere (f), 3vv, bc, Nf;
Miserere (g), 7 solo vv, 5vv, orch, P-EVc;
Miserere (a), S, A, T, B, 4vv, D-LEm;
Miserere (a), 4vv, bc, D-MÜs (attrib. Casali), I-PAc

Motets, solo cants. and arias (for details see Hansell, 1970, and Hochstein, 1984):
Modulamina sacra (collection of solo motets), S/A, str, bc, Venice, Incurabili, c1745/6 [Ab herebo profundo (also attrib. Ciampi), S, lost;
Astri fulgentis (A), S, B-Lc (inc.);
Atro funeri, A, lost;
Audi, o pastor (also attrib. Porpora), A, lost;
Barbara poena afflicta (G), S, I-CHf (for solo T);
Caeleste lilium, S, lost;
De tua sede luminosa (B ), S, D-MÜs, SWl, I-CHf (for solo T);
Fuge, o misera columba (B ), S, A-Wn, GB-Lbl (inc.), attrib. Hasse in F-Pn, US-Wc;
Furendo deliro (G), A, B-Lc (for solo B);
In te spero, A, lost;
Insurgunt armati, A, lost;
Nova fronde, novo flore, S, lost;
O amabiles dolores, S, lost;
O quam serena, S, lost;
Peregrina desolata (C), S, A-Wn;
Relinquite fontem, A, lost;
Si fremit unda irata, A, lost;
Spem deus erige labentem, A, lost (by Hasse in I-Mc);
Spirant amabiles, A, lost;
Sponsa plange, A, lost;
Tacete, o frondes (also attrib. Scarlatti), S, lost;
Venit e silva, A, lost; lib pubd (Venice, 1746), in Vcg]

Animae laetantes (D), S, B, 4vv, orch, bc, F-Pn, I-Nc* (inc.);
Arma frenate (D), B, str, bc, Mc, Nc;
Beatus vir (B ), S, str, bc, CH-E;
Benedictus Mariae filius (C), S, orch, bc, E;
Care Deus si respiro (c), S, str, bc, I-Bc;
Credidi propter quod (B ), S, str, bc, CH-E;
Cuncta in mundo (B ), B, str, bc, A-Wgm;
Deus refugium nostrum, B, 4vv, orch, GÖ, M;
Dum fremit unda insana (E ), S, str, bc, Wn;
Haec requies mea (G), S, str, bc, I-Nc (inc.);
In alto monte tremo (F), B, str, bc, Mc;
In sede beata (D), A, orch, CZ-Pnm, TU;
Laudabo te pastorem (E ), A, str, bc, A-KR;
Laudate pueri (D), S, orch, CH-E;
Lord have mercy (E ), vv, org, F-Pn, GB-Lbl (‘John Bennet’s Organ Book’), Lsp;
Miseris agitatis (D), B, str, bc, A-KR;
O Jesu ter amabilis (E), A, str, bc, KR;
O Lord our God (D), B, str, bc, GB-Lbl;
Panem caeli (d), 4vv, bc, P-Lf;
Pange lingua (E ), T, str, bc, CH-E;
Pange lingua (B ), S, str, bc, E;
Panis angelicus (B ), S, A, str, bc, A-KR, LA;
Peccatorum (g), B, str, bc, KR;
Pietà, pietà Signore (g) (It. trans. S. Mattei), S, S, str, bc, Naples, 30 March 1774, A-GÖ, Wgm, Wn, B-Bc, Br, BR-Rn, CH-E, D-Bsb, Dl, Hs, Mbs, MÜs, Rp, Rtt, Sl, SWl, F-Pn, R, GB-Cfm, Er, Lbl, Lcm, Lgc, I-Baf, Bc, BGc, BGi, CORc, Fc, Gl, LT, Mc, Nc, OS, PAc, PIraffaelli, Rig, Rsc, TLP, TEd, Vc, Vlevi, Vnm, US-Bp, PRu, Wc;
Stando accanto (A), S, str, bc, D-EB;
Sum fides armata (D), S, str, bc, Bsb;
Surgite cives (D), A, orch, CZ-LO;
Spurious:
Agonia di Gesù Cristo (g), I-Mc (by Zingarelli), Vc;
Caeli enarrant (A), Ac, Nc (by Buroni)

Hymns:
Aurea luce (D), S, A, 8vv, bc, Rome, 29 June 1750, A-Wn, D-Bsb, Hs, Mbs, MÜs, F-Pn, GB-Lbl, I-BGc, Nc, Rvat;
Urbs Jerusalem beata (G), S, A, T, B, 4vv, bc, Rome, 18 Nov 1750, D-Hs, F-Pn, GB-Lbl, I-Nc, Rvat;
Veni Creator Spiritus (D), S, 4vv, str, bc, Rome, c1751, D-Hs, MÜs, F-Pc, Pn, R, GB-Lbl, I-Nc (Paris, n.d.), ed. W. Hochstein (Stuttgart, 1991)

Sacred duets (pss trans. S. Mattei), S, S, bc, I-Nc:
Le mie voci (F); Ma tu sperar (G) (also attrib. Rispoli);
Perchè, o Dio (C); Piane le vie (B ) (also attrib. Rispoli);
Tu mi vedi (F); Venga ad offrir (E) (also attrib. Cafaro)

Instrumental:

Six Sonatas, 2 fl/vn, bc (hpd/vc) (London, 1753), nos.2 (G), 3 (D), 5 (C), and 6 (D), nos. 1 and 4 not by Jommelli; nos.3 and 6 in S-Uu; no.6 in D-KA 223; no.5 ed. G. Boilla (Adliswil, 1983)
Divertimento (G), 2 vn, va, bc, D-SWl;
Divertimento (E ), 2 vn, va, hn, bc, SWl;
Sinfonia for salterio [dulcimer] (G), str, bc, I-Nc; Ciacona (E ), orch, D-Sl, GB-Lbl, I-Bc (London, n.d.); Conc. (G), fl, orch, formerly D-Bsb
Conc. (D), hpd, orch, bc, A-Wgm;
Concerto (F), hpd, orch, D-SWl;
Conc. (G), hpd, orch, bc, Bsb, LB, MÜu;
March (F) and 2 minuets (C, B ), hpd, Bsb;
Sonata (C), hpd, Rome, 1769, Bsb;
Duo (C), hpd/pf 4 hands, B-Bc
9 qts, 2 vn, vc, bc, inc. I-Gl [nos.1–5 lack vn 1, no.9 lacks vc];
Napolitano (D), fl, 2 vn, bc, D-MÜu;
Sonata (D), 2 fl, bc, KA 224;
Concerto … da camera (f), 2 vn, bc, I-Mc;
Sonata (G), 2 vn/fl, bc, A-LA, Wgm, I-Gl, PS R.92;
Sonata (G), 2 vn/fl, bc, Gl M4.2836, PS no.1;
Sonata (G), 2 vn, b, PS no.5



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