diumenge, 11 de juny de 2017

HAYDN, Johann Michael (1737-1806) - Missa Sancti Leopoldi (1805)

Bartolomé Esteban Murillo - Educazione della Vergine (c.1655)
Obra de Bartolomé Esteban Murillo (1617-1682), pintor espanyol (1)




Parlem de Pintura...

Bartolomé Esteban Murillo (Sevilla, 1617 - Sevilla, 3 d'abril de 1682) va ser un pintor espanyol i un dels més importants del segle XVII a Espanya. A les col·leccions privades de Sevilla va tenir l'oportunitat de conèixer l'obra dels mestres barrocs italians i flamencs, al costat de la dels seus precursors espanyols, pintures que el van influir intensament. A partir de les seves primeres obres, representacions de la Mare de Déu o la Sagrada Família, d'esperit una mica distant, va evolucionar cap a un tractament dels temes en un to més humà i senzill, dins d'interiors quotidians, en els que va introduir detalls i escenes de la vida diària. Els seus personatges es van caracteritzar per aquesta dolçor i sentimentalitat propis del seu estil, fugint dels rampells tràgics que tant van atreure a altres artistes del barroc. Entre els anys 1645 i 1646 va realitzar 11 escenes de vides de sants que el van promocionar notablement. El 1660 va fundar i va ser president de l'Acadèmia de Dibuix de Sevilla. Com a pintor d'escenes de gènere, va destacar per la interpretació de personatges infantils marginats de manera emotiva, com per exemple en el Nen captaire (1645, Museu del Louvre, París). Per altra banda, en l'obra La Verge i el Nen amb Santa Rosalia de Palerm (1670, Museu Thyssen-Bornemisza, Madrid) va posar de manifest l'harmonia tant de la composició com de la exquisida precisió del dibuix. Entre el 1671 i el 1674 va realitzar les pintures de l'Església de la Caritat de Sevilla. Murillo també va ser un dels millors a l'hora de reflectir a la Immaculada Concepció, temàtica que va representar en nombroses versions, destacant la gràcia juvenil, el rostre amorós de la Verge i el vol dels àngels que l'envolten. Les seves representacions de sants, autèntics retrats de tipus espanyols de l'època, es corresponen al realisme imperant en l'art religiós del segle XVII. Segles després, Murillo fou redescobert fins el punt que la seva obra va ser font d'importants estudis acadèmics. Va viure la quasi totalitat de la seva vida a Sevilla, ciutat on va morir l'abril de 1682.




Parlem de Música...

Johann Michael Haydn (Rohrau, 14 de setembre de 1737 - Salzburg, 10 d'agost de 1806) va ser un organista i compositor austríac, germà petit de Joseph Haydn. Va ser un compositor molt prolífic (més 800 obres) en diferents gèneres i especialment admirat per la seva música sacra. Va néixer a Rohrau, a la riba del riu Leitha, proper a geogràficament a la frontera entre Àustria i Hongria. Amb 8 anys va viatjar a Viena on va entrar a formar part del cor de la Catedral de Sant Esteve en un temps en què el mestre de capella era Georg Reutter. Amb 12 anys va compaginar els seus estudis corals i acadèmics amb la feina d'organista suplent de la catedral tot escrivint les primeres obres. El 1753, el canvi que va produir la seva veu, el va fer desistir del cor. Probablement, va entrar en contacte amb el seminari Jesuïta on va progressar ràpidament en el coneixement de la llengua llatina i amb la literatura clàssica. En aquell temps va continuar exercint d'organista amb Albrechtsberger. També va estudiar les obres de Johann Fux, el compositor més conegut a Viena aleshores. També va estudiar a BachHändelGraun i Hasse. En aquells primers anys va compondre especialment música religiosa: Nombroses misses, lletanies, himnes, etc. Ràpidament, la seva fama va créixer i la seva obra es va exportar arreu d'Àustria i Moràvia entre els anys 1759 i 1763. El 1757 va viatjar de Viena a Grosswardein (Oradea, Romania). Allà hi va romandre fins el 1765, any en què Dittersdorf el va succeir com a mestre de la Hofkapelle. La Missa SS Cyrilli et Methodii (1758) va ser una de les grans obres que va compondre a Grosswardein. En aquell temps Haydn ja havia escrit 15 simfonies, 14 misses, divertimentos, partites i alguns concerts així com nombrosa obra religiosa per a cor a quatre veus i orquestra.

El 1762 va fer una visita fugaç a Viena on un programa de concert d'aleshores cita una "Composition du S.r Michel Hayde". L'Arquebisbe de Salzburg, Sigismund Christoph, i el seu nebot Vinzenz Joseph Schrattenbach, van sentir interès per aquell jove compositor i el van recomanar a la cort de Salzburg. Durant els anys 1750-1760 el seu nom era àmpliament conegut arreu d'Àustria fins i tot amb major intensitat que el seu propi germà Joseph Haydn. El 1762, la mort de Johann Ernst Eberlin, va propiciar la reorganització musical a Salzburg i va precipitar el nomenament de Michael Haydn com a Konzertmeister de Salzburg, el càrrec musical més important de l'Arquebisbat de Salzburg. Entre els col·legues d'Haydn cal destacar a Leopold MozartA.C. Adlgasser, G.F. Lolli i posteriorment a Wolfgang Amadeus Mozart. El 14 d'agost de 1763 va assumir, oficialment, el seu nou càrrec que implicava les funcions d'organista, violinista, direcció del cor i composició a la Catedral de Salzburg. En aquell temps, a banda de la regular interpretació i direcció, va compondre obres teatrals dramàtiques sacres i seculars per a la Universitat Benedictina. Entre aquestes cal citar Die Schuldigkeit des ersten Gebots (1767), una obra teatral creada per Haydn amb la col·laboració d'Adlgasser i d'un Mozart de només 11 anys. El 17 d'agost de 1768 es va casar amb Maria Magdalena Lipp (1745-1827) i van anar a viure en un pis propietat de l'Abadia de Sant Pere, coordenada important en la vida d'Haydn. L'únic fill que Haydn va tenir, Aloysia Josepha, va morir abans de complir l'any d'edat. L'entronació, el març del 1772, del nou arquebisbe Hieronymus, Comte de Colloredo, va condicionar la nova vida musical de Salzburg.

La limitació de les activitats musicals en el teatre universitari, tancat definitivament el 1778, van motivar grans canvis en la vida d'Haydn. No obstant, va conservar el càrrec de mestre de capella i va assolir un nou càrrec d'organista, el 1777, a la Dreifaltigkeitskirche, fruit de la sobtada mort d'Adlgasser. Una posició sol·licitada per Leopold Mozart pel seu fill Wolfgang. Aquesta circumstància adversa per la família Mozart va desencadenar el recel de Leopold vers Michael Haydn. Aquell va ser un dels períodes més creatius de Michael Haydn amb obres com el famós Rèquiem Pro defuncto Archiepiscopo Sigismundo (1771), la Missa S Hieronymi (1777) i la Missa de S Aloysii (1777). El 1782 va assumir el càrrec d'organista de la cort. En motiu de la commemoració del 1200 aniversari de l'Arquebisbat, el comte Colloredo va publicar una carta pastoral que, entre moltes altres coses, era la primera d'una sèrie de proclames dirigides a simplificar els serveis de l'església. Com a resposta, Haydn va compondre, entre els anys 1783-1791, un centenar de parts de missa en un estil homòfon simple. En aquella dècada Haydn va escriure també 20 noves simfonies. Aquestes van arribar a mans de Mozart, en aquell temps a Viena, que les va estudiar en profunditat. També va compondre, el 1786, la descomunal Missa a due cori (Missa Hispanica) per la cort espanyola. Van ser temps de relativa calma per Haydn a Salzburg.

A partir del 1790 Haydn es va convertir en professor de composició. Alguns dels seus alumnes van ser G.J. Schinn (mestre musical a la Hofkapelle de Munich on es va difondre la música de Michael Haydn durant gran part del segle XIX), Anton Diabelli (en posterioritat va publicar gran part del catàleg religiós d'Haydn), Segismundo Neukomm (va exportar al Brasil la música religiosa d'Haydn) i C.M. von Weber va estudiar contrapunt i harmonia amb ell (1797). Al final de la seva vida, Haydn va fer dos viatges a Viena. El primer el 1798 i el segon motivat pel saqueig que els soldats francesos van fer a casa seva el 1801. Aquell mateix any va compondre la gran Missa Sancta Theresia en honor a la visita que va fer a l'emperadriu Maria Teresa. El 1801 va rebre l'encàrrec d'assumpció del lloc de mestre de capella del príncep Nicolau Esterházy, un càrrec que va acceptar a contracor. Va viure a Viena fins pocs mesos abans de la seva mort. Emulant a Mozart, va iniciar la composició d'un rèquiem (MH.838), encarregat per la pròpia emperadriu, que no va poder finalitzar. Abans de morir va decidir tornar a Salzburg, la ciutat que l'havia vist créixer i consolidar, on va traspassar el 10 d'agost de 1806. Franz Schubert, que no va coincidir amb ell, va expressar la profunda admiració per la seva música religiosa. ETA Hoffmann va admirar de tal forma a Michael Haydn que va deixar escrit que possiblement va ser el més delicat i brillant compositor d'església del segle XVIII. Werigand Rettensteiner (1751-1822) va descriure a Haydn, en la seva biografia, com "el gran, únic i inimitable mestre musical religiós".

OBRA:

Vocal religiosa:

Latin masses:
for S, A, T, B, SATB and orchestra unless otherwise stated

SS Trinitatis, st1/klI:1, S, S, A, T, B, SATB, orch, 1754;
d, st2, c1754–7, frag.;
d, st3/klI:31a, c1754–7, frag.;
a, st18, c1754–7, frag.;
S Michaelis, st12/kl1:27, c1754–7; BVM, st15, c1754–7, ed. C.H. Sherman (Stuttgart, 1994);
S Josephi, st16/klI:7, c1754–7;
S Gabrielis, st17/112/klI:5, c1754–7, rev. 1768, ed. O. Biba (Altötting, 1990);
S Francisci Seraphici, st43/119/klI:25, c1754–7, rev. by c1772; C, st42/klI:35, c1754–7;
SS Cyrilli et Methodii, st13/klI:2, 1758;
SS Crucis, st56/klI:16, SATB, org, 29 March 1762, ed. C.H. Sherman (Stuttgart, 1987)
Dolorum BVM, st57/552/klI:3, 3 April 1762, lost, listed in Lang (c1804), rev. 1794 as Quadragesimalis, ed. C.H. Sherman (Stuttgart, 1995);
S Raphaelis, st87/111/klI:6, by c1764, rev. 7 Nov 1768;
S Nicolai Tolentini, st109/154/klI:4, 4b), 17 Sept 1768, rev. 14 Dec 1771;
Pro defuncto Archiepiscopo Sigismundo, st155/klI:8, 31 Dec 1771, ed. C.H. Sherman (Stuttgart, 1991);
S Joannis Nepomuceni, st182/klI:9, SATB, org, May 1772;
S Amandi, st229/klI:10, 26 March 1776;
S Hieronymi, st254/klI:11, 14 Sept 1777, ed. C.H. Sherman (Vienna, 1970);
S Aloysii, st257/klI:12, S, S, A, SSA, orch, 21 Dec 1777, ed. W. Reinhard (Zürich, 1942)
S Ruperti, st322/klI:13, 11 Aug 1782, ed. K. Jäger (Adliswil, 1994);
S Dominici, st419/klI:14, 25 March 1786, ed. J.F. Doppelbauer (Altötting, 1988);
A due cori 'Hispanica', st422/klI:17, 4 Aug 1786, S, A, T, B, SATB, orch, ed. C.H. Sherman (Salzburg, 1966);
S Gotthardi, st530/klI:15, 19 Feb 1792;
Pro defunctis, c, st559, c1792–5, draft;
S Ursulae, st546/klI:18, 5 Aug 1793, ed. in RRMCE, xii (1980);
Pro quadragesima, st551/klI:20, SATB, org, 15 Feb 1794, ed. in DTÖ, xlv, Jg.xxii (1915/R) and by C.H. Sherman (Stuttgart, 1995);
Tempore quadragesimae, st553/klI:19, SATB, org, 31 March 1794, ed. in Denkmäler liturgischer Tonkunst, xvi (Augsburg, 1927) and by C.H. Sherman (Stuttgart, 1995)
Sotto il titulo di S Teresia, st796/797/klI:22, 3 Aug 1801, rev. shortly after 1801;
Subtitulo S Francisci Seraphici, st826/klI:23, 16 Aug 1803, ed. in DTÖ, xlv, Jg.xxii (1915/R);
S Leopoldi, st837/klI:24, S, S, A, SSA, orch, 22 Dec 1805, ed. W. Reinhart (Zürich, 1952);
Pro defunctis, B , st838/klI:26, 10 Aug 1806, inc.;
Reworking of Gl from F.J. Haydn’s Missa brevis Sancti Joannis de Deo, B , h XXII:7, 16 July 1795, ed. H.C.R. Landon (Munich, 1958)

Doubtful:
Over 60 masses, attrib. ‘Haydn’;
Over 60 others, each attrib. both to M. Haydn or only ‘Haydn’ and to another comp., incl.: klI:28, also attrib. G. Reutter (ii), klI:29, also attrib. L. Hofmann and Krottendorfer, klI:33, also attrib. Krottendorfer and Schneider, klI:34, also attrib. Schneider, klI:36, also attrib. Heimerich, klI:37, also attrib. Strasser, klI:38, also attrib. J. Haydn (h XXII:G1) and Diabelli

German masses:
A, st536/klVI:3, SATB, orch, by c1793;
B , st602/klVI:2, SSA, orch, 17 Aug 1795;
F, st611/klVI:4, SATB, orch, 11 Nov 1795;
E , st561/klVI:6b, F, st562/klVI:6a, both SSA, ?c1795;
C, st629/klVI:5, SATB, orch, 23 March 1796;
B , st642/klVI:1, SATB, org, lost, listed in Lang (c1804);
st560, doubtful

Mass proper movements:
for SATB and orchestra unless otherwise stated

Spiritus Domini, Veni Creator Spiritus, st45, A, orch, c1754–7;
In omnem terram, st46/klIII:41, S, A, orch, c1754–7;
Ecce Virgo, st121, S, orch, c1754–7, lost, listed in Göttweig catalogue (1830);
Humiliavit semetipsum, S, orch, c1754–7;
Civitatem, Festina lente, st47, S, SATB, orch, c1754–7, lost, listed in Göttweig catalogue (1830);
Vidi civitatem, Caelestis inter caetus, st48, S, SATB, orch, c1754–7;
Christus factus est, st38, 18 March 1761, ed. C.H. Sherman (Stuttgart, 1987);
Veni Sancte Spiritus, st39, 22 March 1761, ed. C.H. Sherman (Stuttgart, 1989);
Iste confessor, st40/klV:16, SATB, orch, 26 June 1761
Deus tuorum militum, st158, S, orch, c1764–71, frag.;
Jesu corona, st100, SATB, orch, c1764–71, ed. C.H. Sherman (Stuttgart, 1994);
Nos conservat, st122, S, A, T, B, SATB, orch, c1764–71;
O Maria Virgo spes, st165, S, orch, c1764–71;
Surrexit pastor, Plaudes plebs, st160, B, SATB, orch, c1764–71;
Tubae resonate, st124, S, SATB, orch, c1764–71;
Vexilla regis, st126, SATB, c1764–71;
Ave Maria, B , st72/klIII:21, S, SATB, orch, 1765, ed. C.H. Sherman (Stuttgart, 1991);
Urbs Jerusalem, st75, Invictus heros, st78, Jam faces lictor, st79, all 1766
Dedit mihi, st77, c1766;
Inveni David, st115, S, A, T, B, SATB, orch, Et bracchium meum, st116, both c1769, related to Completorium st114;
Tota pulchra es, st139, S, S, orch, c1770, related to orat st138;
Cantate Domino, e, st142/klIII:44, c1770, related to ?Ballo, st141;
Sicut cervus, st143/klIIb:48, S, A, T, B, SATB, orch, c1770;
Anima nostra, st146, S, S, S, A, SSSA, orch, 1771;
O Maria nostra spes, st149/klIII:33, S, A, T, B, SATB, orch, c1771, related to tragedy Hermann st148
Tres sunt, st183/klIIa:40, S, A, T, B, SATB, orch, 7 June 1772, ed. in KL;
Antiphonae ad stationes pro tribus diebus rogationun, st201/klV:10, SATB, org, c1773–5;
Egregie doctor Paule, st190, S, A, T, B, SATB, orch, c1774;
Lauda Sion, st215/klIIa:42, ?1775;
Quae est ista, st226, S, SATB, orch, by c1775;
In te mi Deus confido, st230, A, SATB, orch, 24 Sept 1776;
Alma Dei creatoris, st221/klIII:2, B, SATB, orch, 1776;
Inveni David, st224/klIII:38, B, SATB, orch, 1776;
Deus refugium, st222/klIII:32, B, SATB, orch, ?1776;
Dignare me, st223, S, A, SATB, orch, by c1776
Justorum animae, st225/klIII:37, B, SATB, orch, by c1776;
Laeta quies, st253/klIIb:17a, 11 March 1777;
Timete Dominum, st256, S, A, T, B, SATB, orch, 29 Oct 1777, ed. R. Pauly (New York, 1964);
Sub vestrum praesidium, st275/klIII:34, 15 March 1778;
Ad festum S Augustini, st280/klIIb:16, S, A, SATB, orch, 26 Aug 1778;
Diffusa est gratia, st281/klIII:18, S, S, orch, 16 Nov 1778;
Canta Jerusalem, st269/klIII:19, 1778;
Justorum animae, st286, B, SATB, orch, c1778–80, related to Spl Der englische Patriot st285
Eja corda exsultate, st290/klIII:39, S, S, SATB, orch, O caeli luminaria, st291/klIII:8, T, B, orch;
Qui nunc laeti, st292/klIII:35, S, A, orch, Unitis cordibus, st293, Tu digna amore, S, A, orch, all c1780, related to applausus st289;
Quicunque manducaverit, st259/klIII:9, by c1789;
Salvete flores, st307/klIV:2b, 3vv, orch, 29 Nov 1781;
Veni Creator Spiritus, st326/klIIa:39b, 26 Aug 1782;
Jesu redemptor omnium, st329/klV:25b, Sancti Dei omnes, st328/klV:25a, Surgite sancti, st327/klV:9f, all SATB, 27 Aug 1782, all ed. C.H. Sherman (Stuttgart, 1986)
Ex ore infantium, st331/klI:30, SSA, org, 26 Dec 1782;
In adoratione nostra, st324/klIII:6, S, A, A, T, B, SATB, orch, Cantate Domino, E , st325, S, A, A, T, B, SATB, orch, Clangite buccinis, Nec alacrior, S, A, orch, all c1782, related to orat st323;
Viderunt omnes, st341/klIIa:8, 6 Dec 1783, ed. O. Biba (Hilversum, 1971);
Alleluia! Laudate pueri, st342/klIIa:11, S, S, A, orch, 12 Dec 1783, ed. I. Sulyok (Kassel, 1978);
Sederunt principes, st343/klIIa:9, 17 Dec 1783;
Hic est discipulus, st344/klIIa:10, 21 Dec 1783;
Ecce sacerdos, st345/klIIb:42, 24 Dec 1783;
Alme Deus, st332/klIII:29, B, SATB, orch, by c1783
Omnes de Saba, st350/klIIa:13, 2 Jan 1784;
Salvos fac nos, st351/klIIb:2, 8 Jan 1784;
Gloriosus Deus, st352/klIIb:14, 12 Jan 1784;
Tu es vas electionis, st353/klIIb:10, 16 Jan 1784;
Nunc dimittis, st355/klIIb:1, 29 Jan 1784, ed. M. Eckhardt (Kassel, 1976);
Ab ortu solis, st356/klIIa:45, 5 Feb 1784;
Audi filia, st357/klIIb:31, 27 Feb 1784;
Domine praevenisti, st359/klIIb:46, 16 March 1784;
Dolorosa et lacrymabilis es, st360/klIIa:26, 24 March 1784;
Victimae paschali laudes, st361/klIIa:29, 5 April 1784, ed. O. Biba (Hilversum, 1970)
Alleluia! In die resurrectionis, st362/klIIa:30, 8 April 1784;
Alleluia! Confitebuntur, st363/klIIb:20, 16 April 1784;
Dicite in gentibus, st364/klIIb:22, 22 April 1784;
Alleluia! Ascendit Deus, st365/klIIa:37, 9 May 1784;
Veni sancte Spiritus, st366/klIIa:39, 13 May 1784, ed. H. Graf (Zürich, 1966);
Benedictus es Domine, st369/klIIa:41, 3 June 1784;
Exultabunt sancti, st370/klIIb:13, 6 June 1784;
Priusquam te formarem, st372/klIIb:8, 21 June 1784;
Constitues eos principes, st373/klIII:7, 24 June 1784;
Benedicta et venerabilis es, st374/klIIb:29, 28 June 1784;
Adjuvabit eam Deus, st375/klIIb:47, 7 July 1784
Dilexisti justitiam, st376/klIIb:23, 11 July 1784;
Speciosus forma, st377/klIIb:24, 24 July 1784;
Probasti Domine, st378/klIIb:39, 30 July 1784;
Felix es sacra, st379/klIIb:11, 11 Aug 1784;
Nimis honorati sunt, st380/klIII:16, 17 Aug 1784;
Benedicite Dominum, st381/klIIb:12, 24 Aug 1784;
Juravit Dominus, st382/klIIb:41, 4 Sept 1784;
Locus iste, st383/klIIb:25, 9 Sept 1784;
Timete Dominum, st385/klIII:14, 27 Oct 1784;
Dilectus meus, st386/klIIb:7, 12 Nov 1784;
Tollite portas, st387/klIIb:28, 19 Nov 1783;
Ave Maria, st388/klIIb:30, 26 Nov 1784, ed. C.H. Sherman (Stuttgart, 1990)
Justus ut palma, st389/klIIb:45, 29 Nov 1784;
Tecum principium, st390/klIIa:6, 5 Dec 1784;
Benedictus qui venit, st391/klIIa:7, 7 Dec 1784;
Effuderunt sanguinem, st392/klIIa:12, 11 Dec 1784;
Tu es Petrus, st397/klIIb:9, 12 Feb 1785;
Beatus vir,st398/klIIb:43, 19 Feb 1785;
Laeta quies, st400/klIIb:17b, 30 March 1785;
Oculi omnium, st401/klIII:43, 14 April 1785;
Alleluia! Confitemini Domini, st402/klIIa:38, 1 May 1785;
Domine, quis habitabit, st403/klIIb:3, 8 May 1785
Ecce Virgo concipiet, st408/klIIb:6, 24 Nov 1785;
Ne timeas Maria, st409/klIII:1, 29 Nov 1785;
Beatus vir, qui suffert tenta, st410/klIIa:44, 1 Dec 1785;
Miraculorum patrator, st426/klIIb:18, 18 Dec 1786;
Emicat meridies, st437/klIIb:4, 4 Jan 1787;
Universi, qui te exspectant, st442/klIIa:1, 26 Aug 1787, ed. in KL;
Ex Sion species, st443/klIIa:2, 7 July 1787, ed. in KL;
Qui sedes, Domine, st444/klIIa:3, 1 Sept 1787, ed. in KL;
Prope est Dominus, st445/klIIa:4, 5 Sept 1787, ed. in KL
Adjutor in opportunitatibus, st446/klIIa:18, 9 Sept 1787;
Sciant gentes, st447; klIIa:19, 14 Sept 1787;
Tu es Deus, st448/klIIa:20, 20 Sept 1787;
Angelis suis, st451/klIIa:21, 27 Oct 1787, ed. in KL;
Anima nostra, st452/klIII:13, 12 Nov 1787, ed. O. Biba (Hilversum, 1973);
Tribulationes cordis mei, st453/klIIa:22, 23 Nov 1787, ed. in KL;
Deus in adjutorium, st454/klIV:1, SSA, org, 29 Nov 1787;
Libera me, st431, c1787;
Exsurge Domine, st479/klIIa:23, 20 Feb 1788, ed. in KL;
Laetatus sum, st480/klIIa:24, 26 Feb 1788, ed. in KL;
Eripe me, st481/klIIa:25, 1 March 1788, ed. in KL
Alleluia! Cognoverunt, st482/klIIa:31, 8 March 1788;
Alleluia! Redemptionem misit, st483/klIIa:32, 14 March 1788;
Alleluia! Dextera Domini, st484/klIIa:33, 26 March 1788;
Alleluia! Surrexit Christus, st485/klIIa:34, 11 April 1788;
Alleluia! Regnavit Dominus, st486/klIIa:35, 23 April 1788;
Ad Dominum, dum tribularer, st487/klIIa:46, 29 April 1788;
Jacta cogitatum tuum, st488/klIIa:47, 7 May 1788;
Propitius esto Domine, st489/klIIa:48, 17 May 1788;
Convertere Domine, st490/klIIa:50, 29 May 1788;
Domine, Dominus noster, st491/klIIa:53, 7 June 1788
Benedicam Dominum, st492/klIIa:56, 19 June 1788;
De produndis, st494/klIIa:67, 20 Nov 1788;
Benedictus Dominus Deus Israel, st495/klIIa:14, 29 Nov 1788;
Misit Dominus verbum suum, st496/klIIa:15, 10 Dec 1788;
Timebunt gentes, st497/klIIa:16, 20 Dec 1788;
Dominus regnavit, st498/klIIa:17, 29 Dec 1788;
Protector noster,st501/klIIa:49, 12 Feb 1789;
Venite filii, st502/klIIa:51, 1 March 1789;
Esto mihi in Deum, st503/klIIa:52, 19 March 1789;
Custodi me Domine, st504/klIIa:54, 4 April 1789;
In Deo speravit cor meum, st505/klIIa:55, 23 April 1789
Respice Domine, st506/klIIa:57, 12 May 1789;
Bonum est confidere, st509/klIIa:58, 2 Aug 1789;
Bonum est confiteri Domino, st510/klIIa:59, 22 Aug 1789;
Beata gens, st511/klIIa:60, 3 Sept 1789;
Laetatus sum, st519/klIIa:61, 14 Sept 1790;
Dirigatur oratio mea, st520/klIIa:62, 23 Sept 1790;
Domine refugium, st521/klIIa:64, 14 Oct 1790;
Ecce quam bonum, st522/klIIa:65, 21 Oct 1790;
Liberasti nos, st523/klIIa:66, 28 Oct 1790;
Paratum cor meum, st524/klIIa:63, 20 Nov 1790;
In omnem terram, st525/klIII:17, 14 Dec 1790
Gloria et honore, st526/klIIb:38, 25 Dec 1790;
Caro mea vere, st513/klIIb:44, c1790;
Post partum Virgo, st528/klIIb:26, 25 Jan 1791;
Ad te, Domine, st531/klIII:3, B, SATB, orch, 29 Feb 1792;
Antiphonarium romanum, st533/klIV:8, 27 May 1792;
Exaltabo te, st547/klIII:25, S, SATB, orch, 9 Aug 1793;
Vos estis, st554/klIIb:37, 28 May 1794;
Perfice gressus meos, st557/klIII:27, S, orch, 27 Aug 1794;
Laudibus mons, st556/klIIb:19, 30 Aug 1794;
Iam sol recedit igneus, st595/klV:17, SATB, org, 29 May 1795
Christus factus est, klIIa:28, Dextera Domini, klIII:11, Non autem, a, all 7 March 1796;
Communion, B  klIII:12, 7 March 1796;
Virgo prudentissima, st635/klV:23, 5 Aug 1796;
Gaude Virgo, st638/klV:22b, 24 Nov 1796;
Es amator, st640, T, B, orch, c1795–7;
Germinavit radix Jesse, st651/klV:22a, 27 Jan 1797;
Ecce ancilla Domini, st653/klIIb:5, 23 Feb 1797;
Sub tuum praesidium st654/klIIb:33, 24 Feb 1797;
Dominus firmamentum, st655/klIII:27, 4 April 1797;
Hodie scietis, st656/klIIa:5, 12 May 1797;
Tenuisti manum, st695/klIIa:27, 4 April 1798, ed. in KL
Alleluia! Confitemini quoniam, st696/klIIa:36, 17 April 1798, ed. H. Graf (Zürich, n.d.);
Laudate populi, st792/klIII:4, S, A, T, B, SATB, orch, 7 Dec 1800, ed. O. Biba (Wiesbaden, 1971);
Debitam morti, B , st793/klIII:20, S, A, T, B, SATB, orch, 29 Jan 1801;
Petite et accipietis, st798/klIIb:35, 8 Aug 1801;
Magnus Dominus, st799/klIII:23, 11 Aug 1801;
Alleluia! Confitebuntur, st810, 4 April 1802;
Domine Deus salutis, st827/klIII:22, S, A, T, B, SATB, orch, 23 Aug 1803, ed. F. Jöde (Wolfenbüttel, 1925);
Cantate Domino, A, st828/klIIb:36, 30 Aug 1803

Inc.:
stAppx., 2/klIII:36, klIIa:43, klIIb:27, 32, 40, klIII:40 and 42
Doubtful:
st96, st97, st101, st113,st131, st161, st248, klIII:15, st260, klIII:31, st261, st346, st348, st456, st670, klIIb:49, st688

Other latin sacred:
for S, A, T, B, SATB and orchestra unless otherwise stated

Alma Redemptoris mater: E , st270/klV:19b, B, orch, ?c1778; D, st637/klV:19a, SATB, orch, 16 Nov 1796; st92, 113, 163, 164, all doubtful
Ave regina: a, st140/klV:14a, 23 March 1770, ed. C.H. Sherman (Stuttgart, 1987); G, st650/klV:14b, SATB, orch, 21 Jan 1797; st14, 127, 227, 457, all doubtful
Asperges me: B , st98, SATB, org, c1764–72, ed. C.H. Sherman (Stuttgart, 1995); F, st572/klV:7a, F, st573/klV:7b, both SATB, org, ?1795
Completorium: C, st815/klIV:7a, 23 July 1802, ed. M.P. Eckhardt (Zürich, 1979); A, st114/klIV:7b, c1769, ? rev. as/of doubtful Vespers st58/klIV:4

Lits:
De venerabili sacramento, d, st66/klIV:14, 8 April 1764;
BVM, C, st120/klIV:17b, by c1764;
Lauretanae, C, st71/klIV:11, S, SATB, orch, by c1764;
Lauretanae, B , st74/88/klIV:9, S, S, S, A, SSSA, orch, 6 Dec 1765, rev. 1768;
De SS nominis Jesu, st110/klIV:10, 10 Dec 1768; BVM, C, st157/klIV:16, ?c1770–72;
Lauretanae, C, st212, by c1775;
De venerabili sacramento, st228/klIV:13, 26 March 1776; BVM, F, st282, c1779;
Della Madonna, st330/klIV:12, S, S, A, SSA, orch, 24 Dec 1782;
De venerabili sacramento, B , st532/klIV:15, 25 March 1792; BVM, A, st258, S, S, A, org;
st89, 156, both doubtful

Psalms:
Momento Domine David, st200/klIV:2a, 8 Dec 1774, S, S, orch;
A, C, E , st304/klIV:1, SSA, orch, 20 Nov 1781;
D, D, B , G, st809/klIV:3, 27 Jan 1802; st102, doubtful

Regina caeli:
C, st22, SATB, orch, by c1764, frag.;
E , st93/klV:15d, S, B, orch, by c1764;
C, st80/klV:15a, 15 May 1766;
B , st191, S, S, SSATB, orch, by c1774;
st94, 263, 264, all doubtful

Responsoria:
In festo SS corporis Christi, st213/klV:11, SATB, org, ?c1775;
In coena Domini, st276/klV:9a, In parasceve, st277/klV:9b, In sabbato sancto, st278/klV:9c, all SATB, org, 4 April 1778;
In festo resurrectionis Domini, st669/klV:9d, SATB, orch, c1795–8;
Ad matutinum in nativitate Domini, st639/klV:9e, SATB, orch, 9 Dec 1796

Salve regina:
C, st29/klV:13b1, SATB, orch, 11 Aug 1760;
D, st30/klV:13b2, S, SATB, orch, 12 Aug 1760;
b, st32/klV:13b4, SATB, orch, 16 Aug 1760;
B , st31/klV:13b3, SATB, orch, 17 Aug 1760;
D, st33/klV:13b5, B, SATB, orch, 11 Sept 1760;
C, st34/klV:13b6, SATB, orch, 13 Sept 1760;
B , st90, B, SATB, orch, by c1764;
B , st283/klV:13[a]a, ?c1779;
A, st634/klV:13[a]d, SATB, orch, 1 Aug 1796, ed. T.C. Pumberger (Stuttgart, 1994);
st19, 20, 21, 91, 129, 231, 347, all doubtful

Stella caeli:
F, st306/klV:18[2]a, SSA, org, 27 Nov 1781;
F, st394/klV:18, SATB, orch, c1783–4;
F, st830/klV:18b, SATB, org, 28 Sept 1803

Tantum ergo:
d, st130/klV:12d, SATB, org, ?c1768–70;
C, st249, S, A, SATB, orch, by c1777;
C, st404/klV:12e, SATB, orch, 10 May 1785;
C, st460/klV:12i, SATB, orch, ?c1786–8;
C, st772/klV:12a, SATB, orch, 20 March 1799;
e, st773/klV:12b, SATB, orch, 25 March 1799;
st265, 396, both doubtful

TeDeum:
C, st28/klV:1, SATB, orch, 1 April 1760;
C, st145/klV:2, 9 Dec 1770, ed. R. Pauly (New Haven, CT, 1961);
C, st415/klV:6, 30 Jan 1786, ed. H. Graf (Zürich, n.d.);
D, st800/klV:4, 21 Aug 1801, ed. L. Dité (Vienna, 1946);
D. st829/klV:5, 20 Sept 1803, ed. C.H. Sherman (Stuttgart, 1990)

Tenebrae:
a, st125, SATB, org, ?c1768–70;
E , st162/klV:8c, SATB, orch, by c1780, ed. T.D. Thomas (New York, 1962);
B , st305/klV:8a, SSA, org, 24 Nov 1781;
a, st824/klV:8b, SATB, orch, 25 June 1803

Vespers:
F, st294/klIV:1a, SSA, 3vv, orch, 22 Dec 1780;
De Dominica, st321/klIV:6, 22 July 1782, ed. T.C. Pumberger (Stuttgart, 1994);
Pro festo SS Innocentium, st548/klIV:5, S, S, A, SSA, 8 Dec 1793, ed. H. Graf (Zürich, 1971);
st58, 214, both doubtful

Other works:
Ave maris stella, G, st49, SATB, orch, by c1764;
Vidi aquam, e, st99, SATB, org, c1764–72, ed. C.H. Sherman (Stuttgart, 1995);
Pange lingua, C, st395/klV:12c, ?c1783–5

Other german sacred works:
for S, A, T, B, SATB and orchestra unless otherwise stated

O glorreiche Himmelssonne, st168, S, orch, ?c1770–72;
Grosse Frau, wir rufen Dich, st169, S, orch, ?c1770–72;
Erhebet euch ihr Augenlider, st167, S, S, orch, ?c1770–72;
Dank dem Geber, Dank!, st178, S, S, S, B, SATB, ?c1770–72;
Kommt her, ihr Menschen, st180, S, orch, 13 Jan 1772;
Leget alle Trauer nieder, st203, S, S, orch, ?c1773–5;
Sehet den Reichtum, st194, SATB, orch, c1774;
Mutter der Gnaden, st195, S, A, orch, c1774, related to st84;
Ein träger Berg, st196, S, A, orch, c1774;
Deutsche Lauda Sion, SATB, orch, c1775, related to st215
Gibt acht ihr Hirten, SATB, orch, c1775, ed. A. Kircher (Vienna, 1995);
Lauft ihr Hirten allzugleich,st217, S, SATB, orch, c1775, ed. R. Ewerhart (Laaber, 1985);
Stimmet ihr Männer, SATB, orch, So wie der Hirsch läuft, both ?c1775, related to Cantate Domino st142/klIII:44;
Auf! Ihr Christen, st267/klVI:20, SATB, orch, c1775–8;
Gerechter Herr, st219, B, orch, ?c1776;
Aria funebris, st303, c 14 Nov 1781;
Dich grüssen wir, st301/300, S, SATB, orch, c1781, related to st300;
Bei Jubel und wünchenden Tönen,st295, A, T, B, SATB, orch, ?c1781;
Erhebet euch, Christen, st368/klVI:9, SATB, orch, 29 May 1784
Weint auch ihr, st371, S, S, orch, 17 June 1784;
Heiligste Nacht, st427/429/klVI:28a, SA, orch, 20 Dec 1786, ed. O. Biba (Altötting, 1974);
Heiligste Nacht, st428/430/klVI:28b, SA, orch, 20 Dec 1786, ed. O. Biba (Altötting, 1974);
Deutsches Dixit et Magnificat, st517/klVI:23d, b, S, S, SS, orch, 24 Aug 1790;
Ewiges Wesen, st542, S, A, orch, ? 28 Feb 1793, related to st107;
Am Kirchenweifest, st543, SATB, orch, 25 June 1793;
Wir betten an, SSB, c1793, related to st73 and 539;
Mutter des Lebens, st555/klVI:21, S/T, orch, 25 July 1794
Deutsches Miserere, F,st592/811/klVI:18, S, S, SS, org, 25 March 1795, rev. 12 April 1802;
Deutsches Tenebrae, E , st610, SATB, org, ? 11 Nov 1795, lost, listed in catalogue of St Peter’s abbey (1822), related to st162;
Wenn ich, o Schöpfer, st567, S, S, orch, ?c1795;
Aus Davids Psalmen und biblischen Gesänge, st575, SATB, org, ?c1795;
Zu Dir ruft, st576, SS, orch, ?c1795;
Deutsches Magnificat, F, st673/klVI:23, S, S, SS, orch, ?c1795–8, related to orat st323;
Segenlied, B , st680, SSB, org, c1795–8, related to Ger. Mass st602
Auf die Auferstehung, st684, SSA, orch, ?c1795–8;
Deutsche Fastenvesper, G, st674, SS, org, ?c1795–8;
Deutscher Segenlied, C, st678, SSB, orch, ?c1795–8;
Deutscher Segenlied, C, st679, SSB, orch, ?c1795–8;
Deutsches Alma Redemptoris mater, G, st676, SSB, orch, ?c1795–8;
Deutsches Ave maris stella, G, st677, S, S, orch, ?c1795–8;
Deutsches Salve regina, B , st675, SSB, orch, ?c1795–8;
Deutsches Te Deum, C, st672, SAB, orch, ?c1795–8;
Gekrönte Himmelskönigin, st687, SSB, orch, ?c1795–8;
Komm, heiliger Geist, st685, SSB, orch, ?c1795–8
Lobegesang de venerabili sacramento, C, st681/klVI:8a, S, S, SS, orch, ?1795–8;
Stern auf diesem Lebensmeere, st686, SSB, orch, ?c1795–8;
Wer nur den lieben Gott, st682/klVI:26, S, S, orch, ?c1795–8;
Wie lieblich ist doch, Herr, st683, SS, org, ?c1795–8;
Dankesempfindung, st630, SATB, org, 23 March 1796;
Grabet mit fleissigen Händen, st636/klVI:22, TTBB, orch, 30 Oct 1796;
Segenlied, D, st643/klVI:24d, SSSB, orch, 1797;
Deutsches Regina caeli, F, st694/klVI:25, S, S, SS, orch, 30 March 1798;
Deutsches Te Deum, C, st836/klVI:19, SATB, orch, 5 June 1805

Doubtful:
st131, 166, 170, 514, 680

Oratorios:
Oratorium de Passione Domini nostri Jesu Christi, st202, ?c1773–5
Figura: Canticum in tono peregrino (orat), st323, 24 Aug 1782

Vocal secular:

Dramatic:
Rebekka als Braut (Spl, after P.F. Reichssiegel: Eliezer), st76, 10 April 1766, intrada ed. in DM, no.144 (1968)
Der Traum (pantomime, 2, sequel to Reichssiegel: Pietas in hostem), st84, 7 Feb 1767
Die Schuldigkeit des ersten Gebots, pt ii (sacred drama, I.A. Weiser), st85, before 12 March 1767, lost, pt i by W.A. Mozart, pt iii by A.C. Adlgasser
Der Kampf der Busse und Bekehrung, pt ii (orat), st106, 21 Feb 1768
Die Hochzeit auf der Alm (dramatisches Schäfergedicht, 2, sequel to Reichssiegel: Pietas conjugalis in Sigismundo et Maria), st107/218, 6 May 1768, rev. c1776
Kaiser Constantin I. Feldzug und Sieg, pt iii (orat), st117, 20 Feb 1769, pt i by Adlgasser, pt ii by J.G. Scheicher
Die Wahrheit der Natur (Spl, sequel to Reichssiegel: Pietas in impium),st118, 7 July 1769
Der reumütige Petrus (orat, Reichssiegel), st138, 11 March 1770, part of Drey Beispiele wahrhafter Busse, incl. Adlgasser: Die gereinigte Magdalena, and J. Krinner: Der veränderte Joseph von Arimathia
? Ballo, st141, 15/16 July 1770
Der büssende Sünder (orat), st147, 15 Feb 1771, Introduzione ed. in DM, no.145 (1968);
pt ii of Die menschliche Wanderschaft (Schachtner), incl. Adlgasser: Der laue Christ (pt i), and Krinner: Der sterbende Fromme (pt iii)
Hermann, ein Beyspiel der Liebe zum Vaterlande (tragedy, trans. of Reichssiegel: Pietas in patriam), st148, 1773
Der Schulmeister (Spl, F. Angerer), st204, ?c1773–5
Titus, der standhafte Christ (tragedy, trans. of Reichssiegel: Pietas christiana), before 31 Aug 1774, music lost
Der Bassgeiger zu Wörgl (Spl), st205, c1775–7
Zaïre (incid music, Voltaire), st255/p13, 29 Sept 1777, ed. in DM, no.577 (1981)
Abels Tod (Spl, F.G. Klopstock, after J.S. Patzke), st271, c1778
Der englische Patriot (Spl), st285, c1779
Andromeda e Perseo (os, G.B. Varesco), st438, 14 March 1787, sinfonia (p25) ed. in DM, no.185 (1968)
Die Ährenleserin (Spl, C.F. Weisse), st493, 2 July 1788

Other vocal works with instruments:
for 4 solo voices, SATB and orchestra unless otherwise stated

Attale et Erimene (cant.), st11, A, T, B, SATB, orch, c1754–7, frag.;
Ah ingrato m’inganni nel darmi speranza (aria), st70, 16 Dec 1764, lost, listed in Lang (c1804);
Ninfe in belli (cant.), st73, S, T, SATB, orch, 15 Jan 1765;
Quid video superiale (applausus), st144, T, B, SATB, orch, 14 Nov 1770, sinfonia ed. in DM, no.138 (1968);
Der gute Hirt (cant.), st181, 3 S, SATB, orch, 4 April 1772;
Endimione (serenata),st186, 4 S, SATB, orch, c1773;
Ein träger Berg (lied), st196, S, A, orch, 1774;
An somnio? Anne vigilio? (applicatio), st279, 7 June 1778;
Amor subditorum (applausus), st289, 19 July 1780;
Lied der Recruten, st296, T, B, TB, orch, c1781;
Liedchen für den Feldwebel, st297, T, orch, ?c1781
Morgenlied der Bauern, st298, A, B, orch, ?c1781;
Auch die sprödeste der Schönen (lied), st462, S, S, kbd, before 1784, also attrib. J. Haydn (h XXVIa:18) (Vienna, 1784, attrib. J. Haydn);
Die Jubelfeyer, st449, 30 Sept 1787;
Schäffer-Kantate, st455, 28 Dec 1787;
Der deutsche Kaiser Joseph lebe gesund, st512, SATB, orch, 19 Oct 1798;
Der fröhliche Wiederschein (applausus), st527, SATB, orch, 1791;
Hochzeitslied, st607, S, S, STB, orch, 7 Sept 1795, also in applicatio st279;
Patritius, Gelegenheits-Cantate, st668, S, B, SATB, orch, 26 Sept 1797;
Frohlocke Helfenburg hoch! An Ferdinand Churfürst zu Salzburg, st821, 1 March 1803, lost, listed in Rettensteiner (1814);
Der Christ auf Golgotha,st831/klVI:15, 15 March 1804

Partsongs for male voices:
most for 4 solo male voices; many also in versions for solo voice and keyboard

Feuer zu werden, st450, ? c30 Sept 1787, related to Die Jubelfeyer st449;
Mit frommen Eifer,st539/538, ?c1793, related to cant. st73;
Was ists dass ich mich quäle? st540/541, ?c1793;
Commercelied,st558/822, 1 Sept 1794, rev. 21 April 1803;
Hymne an Gott, st588, 7 Jan 1795;
Trinklied im Winter, st590, 31 Jan 1795;
Verwandlungen,st591, 5 Feb 1795;
Ständchen, st593/594, ? c18 April 1795;
Einweihung, st597/606, 23 July 1795;
Auf den Tod des Herrn Schachtners, st598, 24 July 1795;
An Ignatia, st599/566, 28 July 1795;
An unsern Garten, st604/605, 2 Sept 1795;
Lied der Freiheit, st608/609, 6 Nov 1795;
Das Liedchen von der Ruh,st579/587, Glückwunsch, st578, Tischlied, st585/626, all 1795;
Die Unschuld, st580, Der frühe Bund, st, both ?1795;
Die alten und heutigen Sitten, st564/563, c1795
Abendempfindung, st728, An die Sonne, st730, Der Arme, st731/732, Die Biene, st733, Der Bund, st734, Dankt dem Herrn, st735, Eintracht, st737, Freundschaft! Wie heilig, st74, Grabe, Spaden!, st743, Herbstlied, st744, Jugendglück, st748, Das Kammerfenster, st749 (formerly attrib. W.A. Mozart, k441c/C9.04, as Liebes Mädchen), Lebensweisheit, st752, Ein Lied von der Behutsamkeit, st753, Ein Lied von der Geduld, st755, Ein Lied zur Prüfung, st754, Meine Grille, st756, Der Morgen im Lenz, st758, Pein der Liebe, st761, Die Rose, st762, Scherzend unter Necktar-Küssen, st764, Der Tanzbär, st767, Der Wechsel, st770, all ?c1795–9
Das Gebet, st627, 12 Feb 1796;
Sagt, wo sind die Veichen hin, st632/631, 23 July 1796;
An Decini, st613, Ehrenlied, st624, Freundschaftslied,st615/616, Frühlingslied, st620/621, Meiner Freunde Gesinnungen, st614, Trinklied, st622/623, Schon grünen die Hecker, st633, all 1796; Sehnsucht nach Liebe, st648, Türkisches Kriegslied, st649/664, both 3 Jan 1797;
Monsieur Hans, st657/658, 7 June 1797;
Lied im Grünen, st659/660, 24 June 1797;
Trinklied, st661/662, 11 July 1797;
Friedenslied, st644/647, Rundgesang für eine Gesellschaft Studierender, st645, both 1797;
Rundgesang, st646, ?1797
Der Obersulzer Wein, st697, 16 June 1798;
Die Schweitzer, st692, 1798;
Der Invalid an seinen Fleischtopf, st774, An alle Deutsche, st775, both 10 June 1799;
Zu ihr! zu ihr! st776, 11 June 1799;
Ständchen,st777–9, 23 June 1799;
Bierlied, st780, 7 July 1799;
Von ihr!, st781, 26 Oct 1799;
Das Landleben, st782, 24 Nov 1799;
Abendlied, st784, 20 Jan 1800;
Der Sänger, st785/786, 11 April 1800;
Rundgesang beim Abschied eines Biedermannes, st787, 5 June 1800;
Josephe, st788/789, 25 June 1800;
Trinklied im Freien,st790, 8 Sept 1800;
Die Seligkeit der Liebe, st783, 1800
Nach dem Abzuge der Franzosen, st795/647, 1 March 1801;
Freut euch des Lebens, st816, 28 Oct 1802;
Auf den Tod eines Hündchens, st812/813, 18 April 1802;
Der couragierte Schneidergesell, st807, Sauf, Du alter Gassenschlängel,st808, both ?1802;
Der Invalid an sein Holzbein, st817, 4 Jan 1803;
Der verlassene Mutter am Strome,st818/819, 8 Jan 1803;
An den Hain zu Aigen, st832, 16 April 1804, ed. H. Graf (Zürich, 1959), V. Korda (Vienna, 1961);
Sehnsucht nach dem Landleben, st833, 25 Nov 1804;
An den Herrn von Moll, st834/835, 4 Feb 1805;
arrs. of folksongs and works by others

Doubtful:
st537, 565, 727, 736, 738, 739, 741, 742, 745, 746, 747, 750, 751, 757, 759, 760, 763, 765, 766, 768, 769, Appx, 6

Canons:
for 4 unaccompanied voices unless otherwise stated

Mailied, st589, 31 Jan 1795;
Es packe Dich, st577, 5vv, c1795, formerly attrib. W.A. Mozart (kAnh.10.14);
Einladung in unsern Garten/Vom Glück sei alles, st581/619, c1795, rev. c1796;
Glück fehl Dir/Frater Caspar Decini!st582/583, ?c1795;
Wohlsein, Freunde/Frater Fulgens,st584, 5vv, ?c1795;
Adam hat sieben Söhn’, st699, ?c1795–9;
Allegremente tutti, st232, 3vv, ?c1795–9;
Der arme Sünder, st700, ?c1795–9, formerly attrib. Mozart (kAnh.C10.13);
Canoni voi volite, 3vv, st234, ?c1795–9;
Che viver vuoi contento, st235, Cominicio solo, st236, both 3vv, ?c1795–9;
Ehr’ sei dem Vater, 5vv, st704, ?c1795–9;
Ich und Du, st708, Die Mässigkeit, st709, both ?c1795–9;
Mein Dämä, mein Fingä, mein Ellebog’n, st710, ?c1795–9
Perchè vezzosi rai, st242, Per ti, mio ben, st243, Questi son canoni, st244, Se tu mi vuoi, st246, all 3vv, ?c1795–9;
Sintemal und all’ die Weilen, st641, ?c1795–9;
Tausch an, mein lieba Schiffmann, st718, 5vv, ?c1795–9;
Tre dolci e cari nomi, st247, 3vv, ?c1795–9;
Vinum latificat cor hominis, st721, ?c1795–9;
Vorgetan und nachgedacht, st722, Wer nicht liebt Wien, st725, both 5vv, ?c1795–9;
Wer reines Herzens ist, st726, ?c1795–9;
Es lebe Taddeo, st617, Die Gans bebrüht das Gänschen, st612, Herzige Nani!st618, all 1796;
Ecce quam bonum, st698a/814, 8vv, 16 Oct 1798, orig. lost, rev. 1 July 1802;
Elle avoit une beauté, st803/804, ?c1801–2, 2 versions;
Le vin blanc, st805, ?c1802–2

Doubtful:
st206, 233, 237, 238, 239, 240, 241, 245, 701, 702, 703, 705, 706, 707, 711, 712, 713, 714, 715, 716, 717, 719, 720, 723, 724, 804

Instrumental:

Symphonies
for 2 oboes, 2 horns, 2 bassoons and strings unless otherwise stated

C, st23/p35, 2 ob, 2 hn, 2 tpt, timp, str, c1757–64, ed. C.H. Sherman (Vienna, 1975);
G, st25, 2 ob, 2 hn, str, c1757–64, ed. C.H. Sherman (Vienna, 1975);
G, st26, 2 ob, 2 hn, str, c1757–64, ed. in DM, no.564 (1981);
D, st50/p36, 2 ob, 2 hn, str, c1757–64;
F, st51/p45, c1757–64;
G, st108/p7, 2 fl, 2 ob, 2 hn, str, c1757–64, related to Spl Die Hochzeit auf der Alm st107/218;
D, st132/p37, fl, 2 ob, 2 hn, 2 tpt, timp, 2 solo vn, str, c1757–64;
B ,st133/p52, 2 ob, 2 hn, str, c1757–64, 2nd movt = Andantino st175/p136, 4th movt uncatalogued;
E , ‘Partitta 5ta’, st35/p1, 2 ob, 2 hn, str, 20 Nov 1760
C, st37/p2, 2 ob, 2 hn, 2 tpt, str, 16 Feb 1761;
B , ‘La confidenza’, st62/p51, 7 Dec 1763, ed. in DM, no.353 (1976) and S;
A, st63/p3, 2 ob, 2 hn, str, 29 Dec 1763, ed. in DM, no.345 (1989);
C, st64/p4, 2 ob, 2 hn, str, 14 Jan 1764, ed. in DM, no.346 (1977);
E, st65/p5, fl, 2 ob, 2 hn, str, 25 Jan 1764, ed. in DM, no.347 (1989);
D, st69/p38, fl, 2 ob, 2 bn, 2 hn, 2 tpt, timp, str, c1764–72;
B , st82/p9, 2 ob, 2 hn, str, 27 Sept 1766, with 2 different finales, one later rev. J. Haydn in h I:59, the other paired by M. Haydn with movt st184, 15 June 1772
D, 2 ob, 2 hn, str, c 10 Aug 1767, related to Serenata, orch,st86;
F, p46, 2 ob, 2 hn, str, c 7 July 1769, related to Spl Die Wahrheit der Natur, st118;
G, st173a, ?winds, str, ?c1770–72, ? arr. of otherwise unknown sym.;
D, st150/p41+84, 2 fl, 2 ob, 2 hn, str, c 1 Aug 1771, ed. in DM, no.365 (1986), partially based on music for tragedy Hermann st148;
E, st151/p44, 2 fl, 2 ob, 2 hn, 2 hn, str, c 1 Aug 1771, ed. in S, partially based on music for tragedy Hermann st148;
A, st152/p6, 2 ob, 2 hn, str, c 1 Aug 1771, based on music for tragedy Hermann st148 and ?Ballo st141, ed. in DM, no.974 (1990)
C, st188/p10, 2 ob, 2 eng hn, 2 piffari, 3 hn, tam, str, 23 Aug 1773, ed. in DM, no.314 (1969);
D, st198/p11, fl, 2 ob, 2 hn, str, 17 April 1774, ed. in DM, no.317 (1973);
C, st252/p12, 2 ob, 2 hn, str, 2 March 1777, ed. in S;
D, st272/p42, 2 ob, 2 hn, str, before 1772, ed. in DM, no.20 (1962);
F, st284/p14, 22 Aug 1779, ed. in DM, no.348 (1996);
D, st287/p43, before 1781, ed. in S, formerly attrib. W.A. Mozart (k291/Anh.A52);
A, st302/p15, 2 fl, 2 ob, post hn, 2 hn, str, 19 July 1781;
G, st334/p16, fl, 2 ob, 2 bn, 2 hn, str, 23 May 1783, ed. in DM, no.341 (1971), formerly attrib. Mozart (k444/Anh.A53)
E , st340/p17, 14 Aug 1783, ed. in DM, no.342 (1972) and P;
B , st358/p18, 12 March 1784 (Vienna, 1785), ed. in DM, no.350 (1987);
C, st384/p19, 2 ob, 2 bn, 2 hn, 2 tpt, timp, str, 28 Sept 1784 (Vienna, 1785), ed. in DM, no.351 (1988);
d, st393/p20, 2 ob, 2 bn, 2 hn, 2 tpt, timp, str, 30 Dec 1784 (Vienna, 1785), ed. J. Vécsey (Budapest, 1960);
D, st399/p21, 10 March 1785, ed. in P;
F, st405/p22, 2 ob, eng hn, 2 bn, 2 hn, vn solo, str, 30 May 1785, ed. in DM, no.343 (1981);
D, st420/p23, fl, 2 ob, 2 bn, 2 hn, 2 tpt, timp, str, 30 May 1786, ed. in DM, no.318 (1972);
B , st425/p24, 2 ob, 2 bn, 2 hn, 2 tpt, timp, str, 28 Sept 1786, ed. H. Graf (Zürich, 1965)
E , st473/p26, 2 Jan 1788, ed. in DM, no.319 (1970);
G, st474/p27, 2 ob, 2 bn, 2 hn, str, 13 Jan 1788, ed. in DM, no.320 (1969);
B , st475/p28, 2 ob, 2 bn, 2 hn, 2 tpt, timp, str, 22 Jan 1788, ed. in DM, no.321 (1969);
D, st476/p29, fl, 2 ob, 2 bn, 2 hn, str, 30 Jan 1788, ed. in DM, no.322 (1969);
F, st477/p30, 10 Feb 1788, ed. in DM, no.352 (1988);
C, st478/p31, 2 ob, 2 bn, 2 hn, 2 tpt, timp, str, 19 Feb 1788, ed. in DM, no.143 (1966) and P;
F, st507/p32, 15 July 1789, ed. in DM, no.356 (1991) and S;
A, st508/p33, 26 July 1789, ed. in DM, no.184 (1968)

Inc.:
st133;
st251;
p8, ed. in DM, no.183 (1968);
p25;
p47

Doubtful:
st24, stAppx, 7, and h I:C19, d3, F16, G4 and B16, attrib. M. Haydn or only ‘Haydn’;
over 25 others, each attrib. both to M. Haydn or only ‘Haydn’ and to another comp., attrib. incl. p39 (? by J.B. Vanhal), p40 and 48 (? by F.X. Pokorny),p50 (? by G.C. Wagenseil)

Other orchestral:
Serenades (Finalmusik):
st60/61/p34, solo trbn, solo tpt, orch, ? Aug 1763, frag., probably orig. 2 trbn conc. movts, tpt conc. movts and an existing sym., movts ed. in DM, nos.344, 373 (1974);
D, st68/p38/58, solo tpt, solo trbn, 2 fl, 2 ob, 2 hn, 2 bn, 2 tpt, str, 4 Aug 1764, ed. L. Kalmár (Budapest, 1965);
B , st133/104/p52, solo tpt, 2 fl, 2 ob, 2 hn, str, c1764–72;
Serenata, D, st86/p87, solo fl, hn, trbn, vn and vc, 2 ob, 2 bn, 2 hn, 2 tpt, str, 10 Aug 1767, ed. W. Rainer (Bad Reichenhall, 1987), incl. movts from Sym., D, Aug 1767;
Casatio, D,st171/p89, 2 ob, 2 hn, 2 tpt, [timp,] str, c1771–85;
Serenata, D, st407/p85, fl, 2 ob, 2 bn, 2 hn, 2 tpt, timp, str, 9 Sept 1785, ed. G. Darvas (Budapest, 1966);
p86 and 87, spurious, by F.X. Pokorny

Marches:
D, st211, 2 ob, 2 tpt, str, c1771–85;
D, st220/p68, 2 ob, 2 hn, 4 tpt, timp, str, ?1776;
D, st339/p63, 2 ob, 2 hn, 2 tpt, str, 3 Aug 1783;
D, st439/p60, 2 fl, 2 ob, 2 bn, 2 hn, 2 tpt, str, 28 May 1787;
C, st440/p61, 2 fl, 2 ob, 2 bn, 2 hn, 2 tpt, str, 17 June 1787;
D, st441/p62, 2 fl, 2 ob, 2 bn, 2 hn, 2 tpt, str, 7 July 1787, ed. in DM, no.557 (1971);
D,st432, 2 ob, bn, 2 hn, str, ?c1787;
D, st515/p64, 2 ob, 2 hn, str, 12 June 1790, ed. in DM, no.557 (1971);
Marcia tuchesca, C, st601/p65, 2 fl, 2 ob, 2 cl, 2 bn, 2 hn, 2 tpt, tambourine, 6 Aug 1795, ed. in P;
National-Marsch, C, st569/p67, ?c1795, lost kbd arr. in Sammlung historische Märsche (Vienna, 1897);
C, st823/p66, 2 fl, 2 ob, 2 cl, 2 bn, 2 hn, 2 tpt, timp, str, 22 April 1803;
st67/p56, st320, st421/p59, all inc.

Minuets:
[7] Menuetti, st210, vn, b, c1764–72;
[6] Menuetti, fl, 2 ob, 2 hn, 2 vn, b, c1764–72, formerly attrib. W.A. Mozart (k104/61e);
[12] Menuetti, st135/p79, fl, 2 ob, piffaro, bn, 2 hn, 2 tpt, timp, 2 vn, b, before c1771, nos.1 and 3 = nos.1 and 2 of the preceding;
[6] Menuetti, piffaro, post hn, 2 ob, 2 hn, 2 tpt, timp, tambourine, 2 vn, b, before c1771;
[6] Menuetti, 2 ob, 2 hn, 2 vn, b, before c1771, formerly attrib. Mozart (kAnh.C13.03);
[6] Menuetti, fl, 2 hn, 2 vn, b, before c1771;
[12] Menuetti, st136, fl, 2 ob, bn, 2 hn, 2 vn, b, before c1771;
[12] Menuetti, st197, 2 fl, 2 ob, 2 cl, bn, 2 hn, 2 vn, b, 1774
[12] Menuetti, st193/p81, fl, 2 ob, 2 bn, 2 hn, 2 vn, b, 1775;
[6] Menuetti, st137, fl, 2 ob, bn, 2 hn, 2 vn, b, 1776;
[12] Menuetti, st250, fl, 2 ob, bn, 2 hn, 2 vn, b, 1777;
[12] Menuetti, st274/p80, 2 ob, bn, 2 hn, 2 vn, b, 1778;
[6] Menuetti, st333/p69, fl, 2 ob, 2 bn, 2 hn, 2 vn, b, 1783;
[6] Menuetti, st354/p70, fl, 2 ob, bn, 2 hn, 2 vn, b, 1784, ed. in DM, no.806 (1987);
[6] Menuetti, st413, 2 ob, bn, 2 hn, 2 vn, b, 1785; [6] Menuetti, st414/p71, fl, 2 ob, cl, 2 bn, 2 hn, post hn, 2 vn, b, 19 Jan 1786;
[6] Menuettini tedeschi, st416/p72, 2 ob, 2 bn, 2 hn, tambourine, 2 vn, b, 12 Feb 1786, ed. in DM, no.1137 (1989), nos.3–6 incorrectly ordered
[6] Menuetti, st423/p73, fl, 2 ob, 2 bn, 2 hn, 2 tpt, timp, 2 vn, va, b, 20 Aug 1786;
[6] Menuettini tedeschi, st424/p74, fl, 2 ob, 2 bn, 2 hn, 2 tpt, 2 vn, b, 22 Aug 1786;
[6] Menuettini tedeschi, fl, 2 ob, bn, 2 hn, 2 vn, b, ?c Feb 1786;
[6] Menuetti, st499/p75, 2 ob, 2 bn, 2 hn, timp, 2 vn, b, 15 Jan 1789;
[6] Menuetti tedeschi, st417/p76, 17 Jan 1789;
[12] Menuetti, st550/p77, 16 Jan 1794;
[12] Menuetti, st693/p78, fl, 2 ob, cl, 2 bn, 2 hn, 2 tpt, timp, 2 vn, b, 28 Jan 1798

Other works:
Pastorello, st83/p91, 4 tpt, timp, str, org, 23 Dec 1766, ed. G. Schünemann (Leipzig, 1940);
Inglese, st529/p83, 2 ob, 2 hn, 2 bn, 2 tpt, timp, str, 7 March 1791;
Notturno, st153, incl. movts from music to stage works st141, 148, doubtful

Concs. (only solo insts listed):
Vn, B , st36/p53, 20 Dec 1760, ed. in DM, no.3 (1960);
Vn, G, st52, c1757–64, 2nd movt rev. with tpt solo in Serenade st60/61/p34;
Org/hpd, va, C, st41/p55, 19 Dec ?1761, ed. in DM, no.182 (1970);
Fl, D, st81/p54, 19 Sept 1766, ed. J. Vécsey (Budapest, 1957);
Fl, D, st105/p56, c1771–85, ed. H.C.R. Landon (Salzburg, 1959);
Hpd, F, st268/p57, c1775–8, frag.; Vn, A, st207, ?c1776, ed. in DM, no.194 (1968)

---

Chamber:
many works entitled ‘divertimento’

Str qnts (all for 2 vn, 2 va, b):
Notturno, C, st187/p108, 17 Feb 1773, ed. H. Albrecht (Lippstadt, 1950);
Notturno, G, st189/p109, 1 Dec 1773, ed. H. Albrecht (Leipzig, 1950);
B , st412/p105, c1782–8, ed. in P;
F, st367/p110, 27 May 1784, ed. in Denkmäler der Musik in Salzburg, vii (Bad Reichenhall, 1991);
F, st411/421/p112/59, 30 June 1786, ed. H. Albrecht (Lippstadt, 1950);
p114, doubtful, also attrib. J. Haydn (h II:G1);
p113, spurious, by J. Haydn (h II:9)

Str qts (2 vn, va, b):
B , st316/p125, ?c1780–82, ed. in DM, no.667 (1980);
D, st319/p93, 27 May 1781, ed. W. Upmeyer (Hanover, 1927);
A, st299/p121, ?c1781, ed. in DM, no.666 (1980);
st174, 175, both inc.;
st172/p104 doubtful;
st308/p124, st309/p118,st310/p122, st311/p120, st312/p119, all ed. in DM, nos.331–5 (1971–2), doubtful;
st313/p116, ed. in DM, no.595 (1972), doubtful;
st314, doubtful; st209/p123 (attrib. J. Haydn and G. Pugnani), st315 (attrib. J. Hafeneder), both probably spurious

Str trios (for 2 vn, b, unless otherwise stated):
D, st5/p101, G, st6/p103, E, st7, A, st8, Variazione, E , st9, B , st10, all ?c1754–7, ed. C.H. Sherman (Stuttgart, 1987);
C, st27, ?c1764–70, vn, vc, b, ed. C.H. Sherman (Stuttgart, 1978);
p102, doubtful

4 duos, vn, va, C, D, E, F, st335–8/p127–30, 1783 (Vienna, 1788), ed. C.H. Sherman (Bellingham, WA, 1985) set completed by W.A. Mozart, k423, 424

Other chbr:
Partita, F, st59/p107, 2 cl, 2 hn, bn, 22 Dec 1762, lost, listed in Lang (c1804);
Divertimento, C, st179/p98, fl, va, b, before 1772;
Notturno, F, st185/p106, 2 hn, 2 vn, va, b, 21 Dec 1772, ed. in DM, no.26 (1963);
Divertimento, B , st199/p92, ob, bn, vn, va, b, 18 Sept 1774, ed in DM, no.24 (1962);
Divertimento, G, st406/p94, fl, bn, hn, bn, va, 17 June 1785, ed. in DM, no.25 (1962);
Divertimento, D, st418/p95, 2 ob, 2 bn, 2 hn, 9 March 1786, ed. in DM, no.312 (1969);
Divertimento, E , st516/p111, cl, bn, hn, vn, va, 4 July 1790;
Divertimento, G, st518/p96, ob, bn, 2 hn, va, b, 4 Sept 1790, ed. in DM, no.275 (1969);
Divertimento, C, st600/p115, eng hn, vn, va, b, ? 3 Aug 1795/8 June 1790;
Divertimento, C, stAppx, 8/p97, 4 hn, bn, Sonata, stAppx, 9/p126, 2 vn, org, both lost, listed in Lang (1804);
Romanze, F, st806, hn, str, ?c1802 (Vienna, n.d.), arr., attrib. Haydn, of Larghetto from W.A. Mozart’s Hn Conc. k447; st54, 55, st208/p90, st173, 463, 464, all doubtful;
p117, spurious, probably by J.B. Davaux

Literatura:

Partiturundament A-Sca, MS, Ssp, ed. M. Bischofreiter (Salzburg, 1833)
50 kleine Orgelstücke zu nützlichen Übung für angehende Orgelspieler, bestehend aus Praeludien, Versetten und Cadenzen (MS, D-Mbs); edns (Linz, c1830), (Paris, c1960)

Font: En català: Johann Michael Haydn (1737-1806) En castellano: Johann Michael Haydn (1737-1806) In english: Johann Michael Haydn (1737-1806) Altres: Johann Michael Haydn (1737-1806) 



Informació addicional... 

INTERPRETS: The Toronto Children's Chorus
RECICLASSICAT: HAYDN, Johann Michael (1737-1806)
AMAZON: HAYDN, M. - How Sweet the Sound
IMSLP: Johann Michael Haydn (1737-1806)
SPOTIFY: HAYDN, M. - How Sweet the Sound



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